For a while I really struggled with this - I tuned out and started to nod off. Two terrific moments - a train smash and Hugo discovering he's a robot - just turn out to be dreams, which is cheating. It picked up once we found out that Kingsley was George Melies and we saw some flashbacks - at least he did interesting stuff with his life, and we get into the magic of it all. (Only if films are the most important thing in Melies life... then why is the automaton so important? That doesn't really have anything to do with cinema.)
I can see why the elderly Academy voters liked it - it's about a man who is old and forgotten, yet still has a wife and god-daughter who love him, an academic who rediscovers him and gives him a retrospective, a little kid who thinks he's really cool. It's also full of loving recreations of 1920s Paris and early silent cinema.
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