Book review - "This Terrible Business Has Been Good to Me" by Norman Jewison (2005)

A tale of one man's journey from success to success - Jewison was born into a relatively poor family but it was in Canada; he joined the navy and went to university and decided to go into showbiz. He moved to England and broke in there, then worked in the early days of Canadian TV then in New York. Handling Judy Garland for a TV special (he managed to sweet talk Frank Sinatra and Dean Martin into supporting her) got him a reputation as someone who could deal with stars - he received an offer from Tony Curtis to do Forty Pounds of Trouble which led to a contract with Universal: two comedies with Doris Day, one with Dick Van Dyke (his first flop), then changing gears with The Cincinnati Kid and hitting a golden streak: The Russians Are Coming, In the Heat of the Night, The Thomas Crown Affair, stumbling with Gaily Gaily but then doing Fiddler on the Roof, Jesus Christ Superstar, Rollerball and so on.

It was truly one of the great careers - plenty of critical acclaim and box office hits, lots of power. His personal life seems to have been tranquil - met a girl, married, had kids, kids turned up fine.  Had a little bit of tall poppy syndrome from Canada but not a lot; a few flops but not that many; no production disasters. He dealt with some temperamental stars and seemed to be able to cope with all of them, even Garland and Steve McQueen.

He reveals himself to be the director who dealt with a sobbing star who had inadvertently killed her dog via giving her a lamb chop - a tale told by William Goldman in his memoirs (not told particularly well here - Jewison is a solid rather than top level writer) - the star was Doris Day. (So was Doris Day having an affair at the time? Goldman said the star was.)

He had/has solid liberal, humanistic beliefs which saw him make film like In the Heat of the Night and try to make Malcolm X before being booted off the latter to make way for Spike Lee.

Obviously a decent man, hardworking and talented, with great instincts for casting and story.

I was hoping for a little more gossip. Sylvester Stallone was a bit of an egomaniac on FIST and rewrote Joe Eszterhas. McQueen could be a baby but lobbied hard for the role in The Thomas Crown Affair. The screenwriter of Thomas Crown sounds like a character. But an enjoyable book.