The Wedding Party (1964) - comedy on an island, not very funny, interesting to see young de Niro and Jill Clayburgh, very French/British new wave influenced.
Murder a la Mod (1968) - interesting student feature only for completists but shows all his themes (voyeurism, Hitchcock references, satire, unfunny wacky comedy, women being murdered, stalking, fake outs, characters who make dodgy films for a living).
Greetings (1968) - would’ve meant more at the time, this is actually Cassavetes like rather than De Palma like, period piece, early showy de Niro performance.
Hi, Mom! (1970) - more polished than Greetings, maybe less effective, remarkable middle sequence (immersive theatre bit, you'll know it if you saw it) that I’m still processing .
Get to Know Your Rabbit (1972) - wacky comedy which proved Tommy Smothers wasn’t a leading man, very much of its time.
Sisters (1972) - terrific riff on Psycho, beautifully made, with great acting from Margot Kidder and Jennifer Salt, wonderful score.
Phantom of the Paradise (1974) - nutty, subversive, consistently interesting, some unfortunate humour gaps, can see why it's a cult.
Obsession (1976) - never quite gets in gear for me, Genevieve Bujold a perfect Hitchcock heroine but Cliff Robertson not as good... interesting and it made money but I prefer his other Vertigo riffs.
Carrie (1976) - the most emotional De Palma? Perfect marriage of director, author and star, Sissy Spacek and King giving this agonising heart missing in the director’s other movies - why didn’t he direct another King book?
The Fury (1978) - fun action-thriller which I had low expectations for and enjoyed a lot, couldn’t pick the twists
Home Movies (1979) - De Palma scratches his 60s-induced itch for wacky comedy and satire with his student film with stars - goes for too long but Keith Gordon centres it quite well
Dressed to Kill (1980) - De Palma nails it, perfect script, score, cast, direction - has tremendous heart too with the Gordon-Allen relationship - I think he knew he got a hole in one here and kept going back to the well
Blow Out (1981) - I get it. I get all of it. Beautifully made. Just mean. Didn't like it.
Scarface (1983) - like Blow Out, I get its appeal, it just doesn’t mean as much to me as others. I love the opening hour and the last fifteen minutes. The rest is a slog. It’s a film that doesn’t die wondering, I’ll say that, and Stone and De Palma match well.
Body Double (1984) - part Vertigo riff part screwball comedy, with one of De Palma’s best stars (Melanie Griffith) and worst (Caig Wasson) - he had gotten divorced just before this and TBH you can tell it feels like he made it in a bad mood
Wise Guys (1986) - sigh. Clearly a CAA pitch movie - would’ve sounded fun in short hand, hard going, a throwback to De Palma’s unfunny comedy in the 60s. He still hadn't learned how to do it.
The Untouchables (1987) - love it, my favourite film of his, every image and line of dialogue etched in my brain from when I saw it (except the John Ford sequence which I always forget it in there) - I wish Mamet had worked with De Palma again
Casualties of War (1989) - I like this more now than when I saw it in part bc I realise how depressingly accurate it is - and I appreciate the risks Michael J Fox took with his stardom
The Bonfire of the Vanities (1990) - overrated book which needed someone like Robert Altman though it’s the script rather than De Palma - probably his most racist film though that’s more Wolfe, than him I think
Raising Cain (1992) - De Palma forced back into making thrillers, uses his bag of tricks, some good moments though feels a little “I just need to make a successful film”
Carlito’s Way (1993) - terrific, I like it more than Scarface, wonderfully realised, maybe relies too much on Sean Penn’s character to propel the plot.
Mission: Impossible (1996) - I don’t think this series hit its stride until the 4th instalment (what a thing to write) but fun to watch.
Snake Eyes (1998) - I love this film, not many people do, but it feels very cohesive, Cage is a perfect De Palma hero
Mission to Mars (2000) - some good moments but not good, feels like a movie that would’ve been better on a third of the budget, you can smell the notes on it.
Femme Fatale (2002) - De Palma goes back to the thriller well, some excellent scenes and it’s a fun if silly movie.- his luck with female stars (so strong in the 70s and early 80s - Spacek, Allen, Griffith) had deserted him by now
The Black Dahlia (2006) - should’ve worked, doesn’t work, this was disappointing.
Redacted (2007) - good on him for making a gutsy movie even if he did just remake Casualties of War - some very silly scenes and very powerful ones.
Passion (2012) - casting not quite right, the bag of tricks is by now really overworked but I had more fun than I thought
Domino (2019) - some really interesting material in here, the leads should be the characters played by Eriq Ebouaney and Mohammed Azaay but they aren’t. Too much McBain type material.
Various rantings on movies, books about movies, and other things to do with movies
Friday, September 22, 2023
Brian De Palma films summary
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