Probably Frank Howson's best film - a terrific central situation with John Waters perfectly cast as an aging rock start determined for one last comeback, only to discover that his son (Guy Pearce) is having more success in the biz. The subplots are well integrated - Kim Gyngell as an old bandmate of Waters with a major drug problem, Sean Scully as another old bandmate who has moved into executive territory, Rebecca Gilling as Waters' wife. It probably lacks a female love interest for Pearce's character - I sense that would have dramatic possibilities (say an assistant/colleague of Scully, or a dealer for Gyngell).
The music lets this down. I love Howson's passion for music and appreciate he's had a long career, but the songs he writes are very middle of the road. I know taste is subjective but would point out that nothing he's written as been a sizeable hit. Stronger songs would've worked wonders. (This actually would make a good musical.)
I wish they'd make Waters' character a little more likable. He didn't have to hug kittens but maybe show some more warmth to Rebecca Gilling - sing her a song or something - and not hit her when he's upset.
But it's easily the most realised film Howson made (at least that I've seen... it definitely is from his first six.)
Nice support cast too - people like Edward Hepple, Reg Evans, Bruce Venables, Nico Lathouris, the guy from the Empty Pockets.
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