A controversial book when it came out because it took a much harsher view on Eastwood than we normally hear about - charges which demanded to be taken seriously because McGilligan is one of our major film biographers. McGilligan does his typically excellent, professional job - he does plenty of research, there are lots of interviews.
It's just his judgements feel a little... cranky, maybe? Exasperated? McGilligan seems to get really annoyed with the media and critics who easily swallow the Eastwood myth - he's publicity shy, he's a feminist movie maker, he's a great movie maker, he's a great American. I felt McGilligan was a little unfair on the critics and Eastwood himself and perhaps unduly influenced by fawning attitudes of the press.
I should add though that McGilligan provides enough facts for the reader to draw their own conclusions. My own take was Eastwood doesn't come across that badly - a bit ruthless and vindictive, sure; tight with the buck, absolutely. But he is surrounded by people who are always wanting a piece of him - all these "betrayed" friends and associates could try to make money off other projects. Yes he had a big ego, like every Hollywood star. But his survival at the top is remarkable - as are the creative risks he continued to take: Breezy, Play Misty for Me, Every Which Way But Loose, Bronco Billy, Black Hunter White Heart... these were not safe choices.
Anyway back to the book - its superb on Eastwood's family history and early years, especially him breaking into Hollywood and the large number of people who helped him (during the first decade he really coasted in life on his looks). Very thorough on Rawhide and the Leone Westerns. If it feels less strong in the stuff on the 70s through to 90s it may be because that material is more familiar. A strong book nonetheless.
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