A follow up to Knocked Up was not as popular despite a similarly strong cast and script full of observant moments. Yes it's long but so was Knocked Up. I think the relative lack of popularity stemmed from two things: stories about turning forty aren't as inherent appealing as ones about falling pregnant (the latter is the start of a new chapter, the former is a mid point next stop death); and secondly, Leslie Mann and Paul Rudd can't carry a film as stars. I admit that's a harsh, personal judgement - both are very talented, capable actors, likeable and all that... but they're not stars. They're not Jason Segel or Kristen Wiig or Seth Rogen or even Katherine Heigl and it hurts in a film on which so much is dependent on these two.
Compounding the problems are the two Apatow kids as the Mann/Rudd children. They were weak in Funny People too - the elder daughter more so than the younger - and that problem is repeated. They are okay, but they're not exceptional, and character driven comedies like these need exceptional casting.
This becomes more obvious when the lead four actors engage with the superb support cast: Segel, Albert Brooks (some brilliant work as a funny very reluctant late in life father), John Lithgow, Rob Smigel, Melissa McCarthy (again, brilliant), Lena Durham and even Megan Fox who is really funny. When the lead four characters engage with them is when this really comes alive. Even with them it's still pretty good - full of honesty and warmth and funny observations (husbands sneaking off to the toilet to get alone time, partners fantasizing about killing each other in a loving way).
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