It’s also reassuring to conservative teenage girls – Darren may talk like he wants to be a free spirit and go out with a trashy girl, but he’ll settle down and go to college, want you, and your dad will approve; Robertson may be a surf bum but he’ll quit too and suit up (because of Gidget’s influence); if you try to lose your virginity to Robertson he won’t go through with it, even though he’s tempted; people will notice if you’ve gone missing.
Dee is excellent value – was there a better perkier teenager – and Robertson gives this genuine gravitas. There's a memorable scene where he gets turned on by young little Gidget and contemplates having his way with her, but turns away, tormented. Darren has looks and a good voice but lacks warmth – I think that’s why he never became bigger than a teen idol. No one in the cast gets much of a look in except for the lead trio – it’s a shame Gidget’s girlfriends weren’t used more – although Arthur O’Connell is on hand as Gidget’s father (he played benign authority figures for most of the late 50s teen idols: Dee, Fabian, Pat Boone, Elvis).
This helped establish many requirements of the genre: musical numbers (Darren sings a few tunes), beach party at night with people playing bongos and couples pairing off, a love triangle, defence of virginity. Incidentally, there's an interesting movie in the story of the real Gidget - the California raised daughter of a German Jewish screenwriter who turned her exploits into a novel.
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