You've got to feel for Pierce Brosnan - when Daniel Craig came along as James Bond, such was the excitement over him that it's almost as if Pierce never existed, which is a shame because he did some fine work, and more importantly helped shepherd the "franchise" (for lack of a better word) back to success after a long spell on the bench.
Brosnan had of course been signed to play the role in The Living Daylights but lost out when NBC insisted he still make Remington Steele; he probably didn't think it at the time, but the gap turned out to be something of a blessing in disguise because the extra decade gave him some more lines and experience, made him a more realistic secret agent. He's a bit uptight in some scenes, lacks the humour of Moore or Connery (which wasn't a problem in Remington Steele, interestingly enough), and is not as good an actor as Dalton, but he's handsome and dashing, does the quips okay and is strong on action.
The movie has a whiff of 90s political correctness - Bond is called a sexist misogynist, Moneypenny accuses him of sexual harrasment, Bond admits sending some Cossacks back to Stalin after World War Two was not Britain's finest hour (this line has always annoyed me - why were the Cossacks dumb enough to think Britain would fight their wartime ally straight after peace?) - but I guess these things needed to be said at some stage.
The script is strong - although not based on a Fleming novel, it is very much in the spirit of them: there's a villain who is getting revenge on England for the wrongs done to his people rather like Hugo Drax in the novel of Moonraker; a Bond girl who is integral to the story (Izabella Scorupco, who has a nice Three Days of the Condor type subplot of her own); a decent plan, a funny ally (Robert Coltrane as a former Russian agent), some witty lines. It's a great idea to have the villain a former 00 agent (these had popped up sporadically in previous films, usually as corpses or mentioned as going to take over Bond's mission), although I was frustrated why they didn't have Felix Leiter instead of some random CIA guy Jack Wade. And the opening action stunt is silly and unbelievable - it pushes it too far.
Locations wise I felt too much of it was set in Russia, which tends to be overly brown, overcast and dull; there are also scenes in Monaco and Cuba, and the movie could have done with more of this colour. There were also a surprisingly large amount of two hander action scenes as if the budget for extras wasn't large.
Brosnan is surrounded by a superb support cast: Sean Bean is a solid head villain; Famke Janssen is a superb henchwoman, one of the best (as a killer who gets orgasmic at the sight of blood); Coltrane, Gottfried John and Alan Cumming are fun as Russians; Scorupco isn't an all time leading Bond girl, but is pretty, brave, likeable and sensible; Judi Dench makes an outstanding M, utterly believable and compelling.
Eric Serra's music score is fascinating, containing some dreadful electronic tunes and a wonderfully romantic theme, "We Share the Same Passions". The title song, by Bono/the Edge/ and Tine Turner, is awesome.
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