Movie review - "Too Many Crooks" (1959) **1/2

 Mario Zampi comedy has a decent central idea used for Ruthless People has some interesting actors like Terry Thomas and Sid James but lacks zip. George Cole tries to be Peter Sellers. Brenda de Bazie is fun as the wife. Decently plotted just not that fun for me. Maybe needed to be in colour.

Movie review - "Follow a Star" (1959) **1/2

 This Norman Wisdom is a little different - a new director, Bob Asher, and it's a musical, really, with Wisdom going to work for pompous singer Jerry Desmonde who mimes to Wisdom's songs. June Laverick is really dull as the girl but Hattie Jacques is fun as Wisdom's singing teacher and the star is full of energy.

Movie review - "Sapphire" (1959) *** (warning: spoilers)

 Procedural which was a hit - helped by colour photography and a racy angle, the death of a girl who turns out to be black. This shows the power of a who dunnit - even when you're annoyed by the smug police (Nigel Patrick deserves a slap as does Michael Patrick) and the varying quality of the acting, you wonder whodunnit.

And the world is so new and different - jazz clubs, black doctors, all that.

Yvonne Mitchell's fame indicates she'll have a big role. Earl Cameron has wonderful gravitas. 

Movie review - "Windom's Way" (1957) *** (warning: spoilers)

 Good on Rank, it tried to make a decent film here. Corsica steps in fairly well for Malaya, there's some terrific sets, Peter Finch and Mary Ure. The movie doesn't quite work. Feels rewritten. Lacks a cohensive emotional thrust. Finch is a decent doctor, tries to keep the peace in the Malayan Emergency. Struggles.

The antagonists are the white plantation owner (Michael Hordern) and a Malay politician (Marne Maitland - the latter has real status here even if he is treacherous.

The movie can't quite personalise its conflicts. For instance Robert Flemying's white official should have been a hunky guy in love with Mary Ure. Give Ure more of a choice - show her glamorous life in London. The sympathy goes to Natasha Parry, as the Malay nurse in love with Finch.

But the film keeps falling into Rank traps. Not giving women characters anything to do - Ure just lecutres at the end. Make her a nurse, have her shoot someone dead, fight with Parry. Parry just loves Finch and is killed - I hate this bummer stuff. Ure should have died. 

Movie review - "Carve Her Name with Pride" (1958) ****

 Excellent war movie which takes its time but is so moving because of the bravery of its real people and sadness of the ending. Lewis Gilbert later said Diana Dors would've been mre suitable and that would've been a career adjusting role for Dors but Virginia McKenna is very good, especially in the last act. The material is strong.

Paul Scofield makes a splendid impact as her officer who loves her - I think this part is fictitious. 

Ozploitation Top Ten

 1) Roadgames (1981)

2) The Long Weekend (1978)

3) Patrick (1984)

4) Razorback (1984)

5) The Man from Hong Kong (1975)

6) Fantasm (1977)

7) Stone (1974)

8) Mad Max (1979)

9) The Money Movers (1979)

10) Snapshot (1979)

NB.I don't include the ocker comedies in this. 

 

Movie review - "Sea of Sand" (1958) ***

 Rare "A" film from Tempean Pictures is actually pretty good - a long range patrol movie, with various Brit types. There's tired conflict between casual Michael Craig and by the book John Gregson, but everyone can act - there's also Richard Attenborough, Percy Herbert. Location filming in the desert helps.

The addition of a female character would have too. Weird how there was a bunch of desert war films around this time eg No Time to Die, Ice Cold in Alex. 

Vincent Ball plays an Aussie.

The movie isn't bad yet frustration with continually playing war films led to Craig and Attenborough making The Angry Silence. 

Movie review - "Heart of a Child" (1958) **

 Dull Rank film about a boy and his dog in Austria. Gruff dad is Donald Pleasance who is so odd it's not fun to see him melt. Jean Anderson isn't bad. Austrian setting after World War One is a novelty. But it's not much. Probably needed to be in colour.

Movie review - "Frankie Vaughan The Heart of a Man" (2008) ***

 Not the feature with that name starring Vaughan but a documentary about the singer-actor. I mostly know him from Let's Make Love where he has a weird grin and creepy vibe; he made a few more films in England, mostly with Anna Neagle, and had.a lot of hits. 

It's a very positive depiction - I assume it's true. Loving husband and family man, gave a lot of money to charity, easy to work with, turned down a chance to shag Marilyn Monroe, tried to stop knife fighting in Scotland. 

Talking heads include Tim Rice, Val Doonican and Vera Lynn. 

Movie review - "Happy Death Day" (2017) ***1/2

 Entirely decent slasher riff on Groundhog Day with a solid script, good scares, and strong acting, particularly the lead performance.

Interestingly the original ending had her killed. Audiences didn't like it. I get that - she didn't deserve to die. 

Movie review - "The Square Peg" (1958) ***

 Regarded as one of the best Norman Wisdom films. He's less weak and pathetic in this more a working class cocky boy and also a German general. Quite fun, just felt long. Honor Blackman is the girl.

Movie review - "The Captain's Table" (1959) ***

 A lovely surprise - from the works of Richard Gordon who did the doctor books only it wasn't from Ralph Thomas and Betty Box and Dirk Bogarde didn't star. John Gregson is a ship's captain being pursued by women and dealing with several adventures and troublesome passengers.

The film is more sexually sophisticated - horny passengers want to get married, the pursuer is gay, there are leggy women. The ship is going to Australia and Aussies Bill Kerr and June Jago are loud Aussies on board.

Jack Lee directed with a nice light touch. Fun movie. 

Movie review - "Rooney" (1958) **1/2

 Interesting film. Slice of life warm stuff about John Gregson a dustman and hurley player whose landladies want to root him. He moves to a house and falls for Muriel Pavlow.

Quiet, senstivie a little wonky. The novel was set in Newcastle but they set it in Ireland. 

John Gregson is very affable. I liked Pavlow in this. Barry Fitzergerald is in it.

This isn't bad. Better than Jacqueline. 

John Candy Top Ten

 1) Stripes (1981) "well, we were on our way to bingo..."

2) Splash (1984) - "I could never be that happy..." 

3) Home Alone (1990) - a wonderful eleventh hour cameo

4) Only the Lonely (1991) - he would have had a long rich career as character actor

5) JFK (1991)

6) Cool Runnings (1993) - an ex-athlete, no, as a wonderful performance, yes

7) Planes Trains and Automobiles (1987)

 8) Uncle Buck (1989)

9) National Lampoon's Vacation (1983)

10) Summer Rental (1985) - yes I know but I have fond memories of it 

I acknowledge these are mostly cameos. 

Movie review - "Just My Luck" (1957) **1/2

 Norman Wisdom discovers a betting scheme and gets involved with bookies. Margaret Rutherford is fun in a too-brief appearance, and bookies are entertaining, including Leslie Phillips. The women are dull - Rank starlet Jill Dixon, Delphi Lawrence.

In black and white not colour - Rank saving some money. 

Zampi vs Del Guidice

 Two friends turned enemies.

 

Movie review - "Dementia 13" (1963) **1/2 (rewatching)

 I wanted to see this on the big screen. Thoughts:

- wanted to like it more than I do but as a quickie it's impressive

- Luanda Anders is wonderful and the film never recovers from her death, the best bit

- Bobby Campbell a little odd, the other female lead a little erratic, Patrick Magee terrific

- needs a Vincent Price

- spooky atmosphere

- lots of chat, I got confused. 

Movie review - "High Tide at Noon" (1957) **

 Phil Leacock and Neil Paterson had a successful film in Nova Scotia so went back there, although the novel was set on Maine. The Little Kidnappers had splendid casting - this not so much. It's a woman's picture with Betta St John pursued by three men - sleazy Patrick McGoohan, no good charmer William Sylvester, true love Michael Craig.

Nothing wrong with that formular but you've got to give good stuff - a real star, glamour,  pretty things to look at.

They don't do that here. Betta St John isn't up to it. All the crap roles given to potential Rank Organisation greats like Diane Cilento, Kay Kendall, Diana Dors and it goes to St John who is pretty and nice and fine but not a star.

Sylvester isn't handsome enough - McGoohan and Craig are. They miss Dirk Bogarde or Anthony Steel.

The pace is slack. This needed to be full blooded. Sex, passion, like Gainsborough. More Canadian feel or at least sense of community. Not there. 

Gainsborough would've made this well in the 1940s - or needed to be made a few years later with more sex 

Movie review - "The Naked Truth" (1957) **1/2

 I wanted to like it more than I did because it was so great to Rank making a black comedy, a spoof of scandal mags with Dennis Price's publisher blackmailing some lovely actors, including Terry Thomas, Peter Sellers and Shirley Eaton. There's a few too many characters - some consolidation would not go astray. Sellers is fun, ditto Eaton - and everyone really. It doesn't quite nail it but is fine.

Movie review - "House of Secrets" (1956) **

 

A thriller from Rank, aiming at the international market and trying to turn Michael Craig into a big star.

Doesn't work, despite some decent action, great colour and locations and not bad cast.

Why doesn't it work?

- undercover story (a lookalike) but doesn't really exploit it - no fun of contrast.

- the person he looks a like is killed off, he should've still be alive and cause trouble

- didn't lean in to the concept - the fun/danger of being a crim

- he's not in enough danger... always reporting back to Geoffrey Keen

- no ticking clock and rising stakes. Who cares about currency. Just make it a bomb.

Just badly plotted.

Movie review - "Up in the World" (1956) **1/2

 Colour, action, movement, songs. John Paddy Carstairs always has something going on. Maureen Swanson is a bright love interest. Norman Wisdom is warm and sympathetic as the rich and shobby bossy him around.

Swanson is too hot for him but that's okay. There's a soccer game, some songs, a bratty kid. It works whereas the Frankie Howerd comedy didn't.

Movie review - "True as a Turtle" (1957) **

 Attempt to do Genevieve with a yacht. Could have been fun. I wanted to like it. But no tension because it's not a race, no interesting character dimension, no Bill Rose script. John Gregson is affable but his wife is dull I missed Dinah Sheridan. Keith Michell is handsome but no Kenneth More - plays a mystery character and theres a plot about counterfeit chips at a casino like who cares? SHould've been about boats. His girl is no Kay Kendall.

They just should've remade Genevieve, had a race.

Movie review - "Jumping for Joy" (1956) **

 Rank turned Norman Wisdom into a film star and tried to do the same with Frankie Howerd. It didn't quite work, Howerd's particular magic doesn't come across, at least not to me. (I did like him in Up Pompeii). 

The story is serviceable enough, being about a man at the greyhounds who gets involved with crooks. 

It just sort of went on and one. I'm resistant to this Rank comedy. In black and white too. Stanley holloway is in it, not a big part.

There needed to be some romance maybe, although there is a pretty girl, Susan Beaumont. Tony Wright plays a gangster - he does have an impressive look with that blonde hair but his voice is badly dubbed.

Movie review - "Lost" (1956) *** (warning: spoilers)

 In the 50s the Rank Organisation made a heap of thrillers, then stopped for a bit, then started again with films like this.

It's not bad, the story of a kidnapped baby. Who can't feel for that? Janet Green was a handy writer.

It struggles with the Rank-ness of the time. There's too many characters. They should've just had the mother not both parents - get rid of the dad (David Knight), make it a single mum, she could've romanced the detective (David Farrar), and done work on her own (more scary).

Really nice colour.  Third tier Rank star power - David Knight who can't act well and the girl. Shirley Ann Field is in it, very fetching, with a dubbed voice.

The police follow lots of dead ends - clues that lead nowhere, scammers, journalists exploiting them - which does feel real though is also unsatisfactory. I think they needed some human story to progress it like the cop having a personal issue instead of being right all the time (he's smug about not paying kidnappers) or the father feeling guilt about an affair or the couple having broken up or something. 

I will say it's great suspense because you don't know who did it - then it turns out to be the old Law and Order standbye, the deranged mother who lost her own baby.

I do like a female writer has ensured some key breaks are from women - one who discovers a clue reading a racy book while another a female cop. Green did what she could.

Movie review - "Up To His Neck" (1954) *1/2

The team who made Top of the Form return for another Ronald Shiner vehicle.

Hard going. Unfunny. Just kept going and going. If you like Shiner you'll like this. 

I enjoyed Bryan Forbes as a bright officer - he felt like a real type, like Dand McNeill in the George MacDonald Fraser stories. I also like the dim senior officers promoting Shiner.

But the film just dragged on and on. There are gags.

It's set on a Pacific Island - the idea of Shiner being a leader and bluding is funny. That should've been the film really the story of how it came to be, a comic Farewell to the King, but when the film starts he's been there for years. 

Sorry this review is grumpy I know. I'm sure the film has its fans.

Demi Moore Top Ten

 Let's look at the body of work (this is films not TV)

1) The Substance (2024) - deserved an Oscar

2) St Elmo's Fire (1985) - excellent in the flashiest part

3) About Last Night (1986) - should've done more Mamet

4) Ghost (1990) - made her a star

5) A Few Good Men (1992) - should've done more Sorkin

6) Indecent Proposal (1993) - trashy film lots of fun

7) Disclosure (1994) - no one talks about it but she was very good

8) GI Jane (1997) - balls to the wall film that I think still has a rep?

9)  Striptease (1996) - overhyped but actually a lot of fun

10)  Margin Call (2011) - only a small role but she's good as always and I wanted to include some newer movie

Movie review - "Blue Jay" (2016) **

 I like the stars, Sarah Poulson (who seems like the nicest person IRL) and Mark Duplass and the movie has an enjoyable low key vibe, 90s style. But there's not enough here for a feature - it's a subplot really.

Movie review - "As Long as They're Happy" (1955) **

 Cheerful, colourful (as in the colour is good) comedy about a Johnny Ray type crooner who stays with an English family.  Based on a popular play which like this starred Jack Buchanan as the dad.

Someone called Jerry Wayne is the singer, Janette Scott is the gal who invites him over, Jean Carson is her sister. Carson sings as does Wayne, and Diana Dors, who has more charisma that Carson or Scott. Nigel Green is Carson's boyfriend with a beard - at the end he shaves it off, and sells out like evertyone in a rnak film.

There's a subgenre of musicals about bewildered das of daughters. Buchanan has three. Susan Stephen is another one. Dors steals the film in her one scene, as an actress at a party.

This probably played better on stage.

J Lee Thompson directed. It's not exactly typical of his output but his handling is appropriate.

Movie review - "Mad About Men" (1954) **

 Sequel to Miranda isn't as good although from the team of Ralph Thomas and Betty Box and with Glynis Johns and Margaret Rutherford reprising their roles, plus colour.

This had tremendous potential. The idea is very good: Miranda, the mermaid, decides to swap places with a lookalike distant cousin, then sees a photo of said cousin's fiancee and decides her relative can do better and goes around seducing men.

But the story is wonky. Miranda needed to focus on Donald Sinden, who is a rich fisherman (playing it in leading man mode, serious and dreamy, with dyed blonde hair)... he should have had Anne Crawford as fiancee. Also she needed to genuinely love someone. There's nothing at stake. There needed to be more differences between the two Johns' characters - the landlubber needed to be more of a presence. Miranda needed to love Sinden, who needed a fiancee to wreck things.  Get Miranda's friends out of the water.  Use the dull Johns character more.

This film could've been good. It's not.  It's also hollow because Miranda pretends to be her cousin to get the guy but he falls for Miranda, right? So he's not with the girl he thinks he's with?

These Rank movies of the 1950s were so frustrating. This one especially because it's a rare film driven by a woman.

Movie review - "All for Mary" (1954) **

 This was a hit on stage and the colour is gorgeous and it has a woman director and there are Swiss locations. Still, hard going. Zany antics, Running around. A gag of a nanny treating her former charges now grown up as children. This film got on my nerves.

Why was Nigel Patrick a star? Ditto Kathleen Harrison?

Everyone tries. 

Movie review - "Fast and Loose" (1954) **

 Cheap remake of A Cuckoo in the Nest which might have played in 1933 but hasn't acted well. Everyone tries, perhaps too hard, and it stars Kay Kendall who has some glamour. Brian Reece is dull - this could've used Donald Sinden. June Thorburn is another dull Rank startlet.

This movie was annoying. It felt like it was made to cover overhead.

Movie review - "You Know What Sailors Are Like" (1954) **

 Rank really liked Donald Sinden. Here is is as a young naval officer caught up in an Arab country which think the Brits have a weapon when they don't. Appparently the original novel on which this is based had more point. Maybe.

Rank invested in colour and elaborate sets, the film pushes Sinden as a hunk (he's often without his shirt), there are Arab harem women like a 1950s Universal movie, I'm sure the lechers went through then, yet still in a studio that had Kay Kendall and Diana Dors under contract the dull Sarah Lawson is the lead. When Lawson goes undercover as a harem girl at the end it should be funny - imagine the Carry On girls doing it - but it's not.

The movie starts of with three sailors and it should have had three sailors all the way through - it mostly has Sinden, although Bill Kerr joing him an hour in and the action perks up. It's fun to see him as an Aussie.

Kenneth More wanted to play the lead but it was after Genevieve had been shot and before it was released. That was a mistake. 

This movie seemed to go on forever despite gorgeous colour, sets and girls, there was just something plodding about it. Director Ken Annakin later admitted farce wasn't his natural genre and he was right.

Movie review - "The Young Lovers" (1954) ***1/2

 A surprise. This flopped and it doesn't have the stars (David Knight and Odile Versois) to put it over but it's beautifully made, simple, empathetic. Maybe too much Swan Lake. Anthony Asquith did a beautiful job and it's lovely shot. If only Dirk Bogarde and Mai Zetterling had one it.

Movie review - "Purple Rain" (1984) ****

 Holds up well. Hero is violent to women as is his dad and neither are really punished but it's not endorsed. Amazing music. Sexy. Prince has charisma, Apollonia is gorgeous, the girls in the band are sensational, interesting look visually. Morris Day and the Time are great.

Movie review - “The Critic” (2024) ***

Starts off great fun, with Ian McKellan having the time of his life as a bitchy theatre critic, very good support cast, enjoyable period detail and nods to the time (British racism, anti gay laws, the newspaper industry). Gets less fun as it becomes more serious.

Movie review - “The Substance” (2024) ***1/2

Body horror which is brilliantly directed and acted. Demi Moore goes for it so does Margaret Qualley and Dennis Quaid has a high old time. The film is too long.

Movie review - “The Way We Live” (2025) **1/2

Love Florence Pugh and Andrew Garfield as actors. Not a bad movie at all. Made with taste. But doesn’t seem to go anywhere. No real progression in their relationship, regardless of non chronological storytelling. The only real conflict is she wants to go in her cooking competition. Love Story had a progression in terms of their relationship (he was uptown, she was poor), and also fleshed out the world in terms of their relationship with their respective dads. We meet family here but don’t do much with them. And friends. It doesn’t even get tears going.

Book review - "Irving Thalberg" by Mark Viera

 Thalberg is such an engimatic figure in Hollywood history but Viera does a good job of digging into the primary sources and making him into a real person. It's hard to ascertain the contribution of a producer but Viera rises to the occasion.

Book review - "Operating Biting" by Max Hastings

 Hastings' smaller books aren't as good as his epics - he gets bogged down in detail, lacks the big sweep, characters and gift of zooming in on the telling anecdote. As a book on it's own merits it's fine, just not as good as his bigger pieces. No mention of the Alan Ladd film The Red Beret.

Book review - "Scripts from the Crypt: The Brute Man" by Tom Weaver and Scott Gallinghouse

 Definitive biography of Rondo Hatton and The Brute Man. Exhaustive, moving, affectionate, not too long. I enjoyed it.

Book review - "Touch the Devil" by Jack Higgins (1982) (warning: spoilers)

 Brisk and easy to read though it feels like reheated left overs - not just one IRA dream hit man who is artistic and has a conscience but two, an enigmatic French woman who actually doesn't do that much in the story, an escape from prison, a woman turned traitor because of a big dick, a chase after a psycho,getting out of troubl with a hidden gun,   a confrontation at the end between a Prime Minister and an assassin. Really Brosnan (one of the dreamy IRA men, Liam Devlin is another one) should have died at the end but Higgins couldn't bring himself to do it.

Book review - "The Future was now" by Chris Nashawaty

 Not bad look at key films from 1982 - ET, Poltergeist, The Thing, Blade Runner, etc. I didn't learn anything new and some of the prose was a little purple but it passed the time.

Book review - "Universal Terrors 1951-55" by Tom Weaver, David Schecter and Robert Kiss

 Exhaustive. Thorough. Definitive. Probably best read in small chunks when watching the films.

Book review - "Best Possible Place, Worst Possible Time" by Barry Sonnenfeld

 Hugely entertaining second volume of memoirs, more fun than the first because it's just about movie stars and he doesn't go on as much about his wife (sorry to be blunt, it just gets wearying). 

Great stories about self hating Gene Hackman, fun but mercurial Will Smith, lazy John Travolta, difficult Walter Parkes. No punches pulled, it seems.

Book review - "Fan Mail" by Nick Hornby

 Entertaining collection of non Fever Pitch soccer writings by Hornby. As with that book sometimes I didn't follow what was going on but always worth reading.

Book review - "Hell Hath No Fury Like Her - Story of Christine" by Lee Gambin

 Solid book, slightly odd structure, excellent interviews (John Carpenter, Bill Phillips, Keith Gordon, Alex Paul though weirdly no John Stockwell or Steven King). No big behind the scenes dramas, just professionals doing a good job.

Movie review - "The Seekers" (1954) ***

 Few seem to have kind words for this melodrama but I liked it. Robust Ken Annakin direction, colour, location shooting in New Zealand, silly storyline but full of action, Jack Hawkins not entirely well cast as a tormented man but still authorotative, ditto Glynis Johns as his wife. Noel Purcell solid as Hawkins sidekick Kenneth Williams as another Britisher - I think Anthony Steel should have played this role, maybe even Hawkins' role... who wants to see Hawkins commit adultery? Laya Raki is the Tondeleyo part.

Not great, but always something going on. I had fun.

Movie review - "A Day to Remember" (1953) **

 Harmless Betty Box-Ralph Thomas comedy made just before Doctor in the House which has some location filming in France but isn't in colour and doesn't quite have the stars. Rank was giving Donald Sinden a big push here he's the romantic lead of a team of men from a London pub who go to paris.

Sinden is a war vet visiting a grave and falling in love with once young now nubile Odile Versois, both of whom who are fine and can act but neither are as captivating as say Dirk and Brigitte in Doctor at Sea. Sinden has a girlfriend Joan Rice but fortunately she goes on a date and falls in love with a visiting Yank on the same day. Phew. No stakes though.

I liked Bill Owen wanting to join to foreign legion because he's embarrassed his girlfriend is too tall. There's a not bad one about a guy trying to smuggle watches.

The cast and charm isn't quite right. It's not bad, mind. Just not quite there. Sinden loved it but that's not surprising - he gets the girl, gets to be charming and moody and all that.

Movie review - "The Million Pound Note" (1954) **

 Mark Twain's story had enough potential to be a decent film but it's not a good adaptation - no sense of character for the lead, no wish fulfilment, lack of subplots (needed a femme fetale, needed a villain, needed hero to do more cool stuff). Feels written for Alec Guinness. Gregory Peck isn't very good. No one is good, really, Sidekick valet doesn't even talk.

Colour is wasted. As are character actors. Dull female lead who seems greedy. Were there no others available?

Misfire.

Movie review - "The Kidnappers" (1953) ****

 Charming account of two little brothers whose father has died going to live in Canada (shot in Scotland) with their grumpy grandad (Duncan Macrae) his nicer wife (Jean Anderson in make up) and single daughter (Adrienne Corri, beloved for her 70s efforts).

The stars are the kids, Jon Whitely and Vincent Winter, who are sensational. I loved the atmosphere. It's a little hairy they're looking after a baby - the baby is cute too.

I loved the Boer War stuff - Macrae is annoyed at all this Boers who've moved to Canada, which I assume is based on a real thing.

It feels like Nova Scotia to me even though I've never been there and it was shot in Scotland. Worked for me though! 

J Arthur Rank loved this movie. I think the great northern nepo baby related to all those tactiurn gruff characters (grumpy grandad who wants the kids to go to work at age eight, the Afrikaaner farmer) melting just slightly because of the kids. (Though the farmer makes a point of blaming his daughter.) This is the northern methodist equivalent of a guy cry movie.

Sidebar: Vincent Winter made a bunch of other films then moved into behind the scenes, production managing and assistant directing. Like Kevin Corcoran. Had a good career, but died of a heart attack aged only 50. Smoker, I assume.

Movie review - "Top of the Form" (1953) **

 Ronald Shiner was once a huge comedy star - he had been plugging away for years then had some monster hits on stage and screen. This was at his peak. If you like him, great. I found it dull and unfunny despute a funny set up - bookie winds up as headmaster, chaotic school.

Fun to see Ronnie Corbett and Anthony Newley as school kids.

Audiences at the time liked it.

Movie review - "Desperate Moment" (1953) **

 Dirk Bogarde and Mai Zetterling prop this up by virtue of sheer star power. Location filming in Berlin helps. But it's not much of a story. Bogarde confesses to a crime he didn't commit because he thinks Zetterling is dead, then discovers she's alive and escapes to clear his name.

Again one senses Rank was hoping for some Third Man style grosses.  Bogarde is full of charisma but his character is an idiot and I couldn't care about his adventures. This film just felt dull and sluggish. Location filming in Europe is interesting but that's about it. Philip Friend, who loves Zetterling, is dull, Albert Levien twirls his moustache. I just didn't care. 

This is a negative review. Sorry. But it was dull.

Play review - "Hail to the Thief" (May 2025)

 Well directed. Nicely stylish. A little overpraised. If you don't know the play it's hard to follow. A friend said of this show it's a red flag when you watch a show and can think of its parody. I like the Ophelia-Hamlet dance - she was great.

Paul Wendkos

 Films and Filming Aug 1968

 

Don Sharp Films and Filming 1963

 

Nat Cohen articles

 

Rod Taylor at debut of The Man Who had Power over Women

 

Peter Finch on acting

 Films and Filming

 Also Films and Filming

 

Piece on Alan White

Films and Filming (I think 1957)

 

Nigel Patrick on Uncle George

 Films and Filming

 

Earl St John interview

 1957 interview Films and Filming

 

Anthony steel interview

 Films and Filming

 

Ralph Thomas Interview

 Thomas, Ralph, 'My Way with Screen Humour', Films and Filming, Feb. 1956, p. 5

 

Book review - "The Secret Life of Ealing Studios" by Robert Sellers

 A book to be enjoyed as a collection of anecdotes from lesser known figures at Ealings - assistants and what not. It does provide an interesting take. Not sufficient depth to be regarded as a stand alone book more something to be read in association with other histories on the studio.

Book review - "John McTiernan" by Larry Taylor

 I enjoyed this I just wish it was better, had more research done. Felt like an extended magazine article. Needed less skim analysis of the films, more of a deep dive.

Book review - "The Eagle Has Landed" by Jack Higgins

 Splendid book. Really terrific storytelling. Bold idea well worked out, plenty of twists and obstacles. Benefits from slightly unusual angles eg IRA working with Germans, British Free Corps soldiers, Channel Islands in wartime. There's a superhero honorable German, a superhero honorable German - these were more novel then. A nubile seventeen year old girl who just wants It. This is less good. Still, a great yarn.

Movie review - "The Long Memory" (1953) ***

 Robert Hamer effort is very well directed, with plenty of style and snazzy use of locations. John Mills is a little bland as the man wrong sent to prison for 12 years - the sort of part that would've really suited say Stanley Baker, who wasn't established at the time yet. Dirk Bogarde could've done it (even if perhaps too young). Jack Hawkins. Richard Todd.

Elizabeth Sellars is the woman who helped betray him and is now married to cop John McCallum. This is really intriguing only not much is done with it story wise except McCallum worries, feels guilty and get Sellars to confess. McCallum really needed to try to kill Mills - or to be killed by the baddy, to give it a kick. Or Mills needed to die or still be in love with Sellars. It's too easy for him to forgive and have the nice horny foreign girl come along.

Still, a pretty good film.

Movie review - "The Farrows of Hollywood: Their Dark Side Of Paradise” by Marilyn Ann Moss

 John Farrow is a fascinating, under appreciated director and character in Hollywood history. He deserves a really strong book. This isn't quite there though it's got some good stuff. It also has a lot of waffle and psychology. I was hoping for more research, such as analysis of Farrow's writings (of which there were a lot eg his book on the popes and Damien the Leper). Being fair, there's some research, I wanted more of it and less psychology. Maureen O'Sullivan and Mia Farrow get decent airings as well.

Movie review - "The Venetian Bird" (1952) ** (warning: spoilers)

 I think the filmmakers and Rank were hoping for a new Thin Man in this tale of Richard Todd investigating a mystery in Venice. There is some location work in Venice but the movie is rather gloomy. The photography feels overcast and Todd is grim, as is Eva Bartok. 

Director Ralph Thomas and Betty Box became known for breezy entertainments and a lighter touch might have helped this - imagine say David Niven in the lead instead.

The story is both confusing and simple. Todd's looking for a guy, everyone says he's dead, we know he's not because John Gregson is billed third. Gregson is with Bartok and Todd doesn't know Gregson so Todd doesn't have a strong personal connection to the cast.

Location shooting helps and Gregson has a decent fall to his depth. Reality is undercut by all the non Italians playing Italians eg Sid James, Gregson, Geogre Colouris.

Movie review - "Something Money Can't Buy" (1952) **

 This starts off as a lovely surprise - a look at a young married couple, Anthony Steel and Pat Roc, starting out on marriage after the war with kids, Director Pat Jackson has clearly done work with his leads who are much better than in other films - both gorgeous, especially she who is very sweet.

 Then things go wonky as the couple go off separately - not as in separate separate but spend tome apart - working for an agency. He's a chef with a food truck and she has an agency and all the relatable stuff goes. The film loses its way.

Still one of Steel's best performances, ditto Roc.

Theatre review - "Back to the Future The Musical" (May 2025)

 A surprise - my expectations were low, I'd heard some songs that weren't much but this is a really colourful, fun show, a reminder of what a terrific film its source material was, bright 80s and 50s fashion and fun, energetic numbers. I liked some changes - swapping terrorists for plutonium, and having the car only respond to Doc's voice not Marty's. The heart of this is George but the by play between Marty and Doc is joyout and the horny mother gives it an edge.

Nat Cohen article 1986

 

Book review - "George Cukor's People" by Joseph McBride

 Interesting take on Cukor's career, focusing on performances and acting. McBride isn't an actor or director but is a good writer and it's a fresh take. He doesn't seem to want to write in depth biographies any more but it's worth a read.

Book review - "The Girl on the Balcony" by Olivia Hussey (2018)

 The sort of book I expected Hussey to write - sweet, a bit scatty, full of love and emotion. She was Argentinian but went to England as a girl, didn't have a lot of money but was blessed with beauty. Had a long stage run in The Prime of Miss Jean Bodie then got Romeo and Juliet. Admits she didn't take her chances -blew True Grit and Anne of a Thousand Days and did All the Right Noises, was prone to taking off long slabs of time but developed a niche for being in ensemble pieces such as Death on the Nile and was especially good at played scared girls. She seems like a lovely person.

Movie review - "Made in Heaven" (1952) **

 Dimwitted British comedy from the Rank Organisation which wastes color photography. How's this for high concept - a couple (David Tomlinson, Petula Clark) hire a maid from Hungary who is hot so all the men want to root her. Tomlinson and Clark are in some competition where they have to be happy for a year - this is based on a real thing and that's a basis of a good movie. I think they needed several couples in competition.

Clark is too young (19) and too pretty for Tomlinson. Everyone tries.

Maybe the film would've been better had they cast Yvonne de Carlo, who'd been in a comedy from the same producer (George Brown) Hotel Sahara - her being a man-trap maid would've been fun. But Sonja Ziemann is just amiable.

Movie review - "It Started in Paradise" (1952) **

This film sucked. Basic idea is good - All About Eve in world of woman's fashion. Plenty of clothes and Jack Cardiff colour photography. Crap script which fails to dramatise and create differentiated charaters. The stars aren't up to it - Jane Hylton dull, and Muriel Pavlow. The men aren't better - Ian Hunter, Terence Morgan.

Thing is they had Kay Kendall in the film! In a minor role! Ditto Dana Wynter!

Director Compton Bennett does a bad job. This is the sort of movie Ted Black would've knocked out of the park.

Problems - bad pacing, inadequate stars, confusing story. No sex, no decent romance, no delienated stars.

 

Movie review - "Meet Me Tonight" (1952) **

 Anthology films were briefly the rage in Britain, which explains this not very good adaptation for three Noel Coward plays.

I disliked the first two. Red Peppers, about the feuding couple (Ted Ray, Kay Walsh), felt like a star vehicle that would work if you liked the stars but I didn't know Ray or Walsh (yes I know they're famous back then but not to me). It was a drag. 

Fumed Oak was dreadful - a whingeing Stanley Holloway.

Ways and Means, about a dodgy couple, was more fun, with Nigel Patrick and Valerie Hobson animated.

The color photography felt wasted.

Movie review - "The Importance of Being Earnest" (1952) ***1/2

 The play is actor proof, and this has a fine cast, even if Michael Redgrave was a little old. Michael Denison is a lot of fun and one wonders why he didn't have more of a film career. Joan Greenwood is sexy, Dorothy Tutin bright and sparky, Edith Evans as excellent as you'd think, ditto Margaret Rutherford.

Rank's films under the British Film Makers scene via the NFFC and Earl St John were of solid quality, on the whole.  This, The Card, Hunted... it's not a bad effort.

Movie review - "The Card" (1952) ***

 I know Alec Guinness has a lot of fans. For me he's a little too twee, too smug, too ethereal. This isn't a bad film. It helps his character has some get up and go. Ronald Neame directs with aplomb and Glynis Johns is sexy and greedy. Petula Clark is the dim ever loving young thing Guinness goes off with at the end. More could've been done with Valerie Hobson's aristocrat.

Not an Ealing Film, made by Rank. 

Book review - "The Violent Enemy" by Jack Higgins (1966) (warning: spoilers)

 Read this because of the movie. One of Higgins' IRA supermen (brave, smart, World War Two hero, worried about violence) busts out of prison to help with the cause. Young woman finds him hot. Dodgy collaborators. Javert like cop. Plenty of action and pace, though Higgins as he admitted hadn't learned the art of characterisation yet. The happy ending felt a little odd.

Movie review - "Tangerine" (2015) ***

 Watched this after Anora and it's striking how much the works have in comment (observation not criticism) - story of sex worker, narrative is tracking someone down, lots of driving around town at night searching for someone, person throws up in cab, Armenians (same actor), ending cut to black, story light. Absolutely worth watching.

Book review - "Woody Allen - A Travesty of a Mockery of a Sham" by Patrick McGilligan (2024)

Big tome. Like all McGilligan books it's very thorough, goes into detail on it's subjects ancestors, possibly wastes too much time going on about critics and critical reputation. Goes through the allegations with admirable thoroughness which also makes the book really depressing to read. Not McGilligan's fault. He tries to be objective but his sympathies are with Allen, invoking the blacklist, Allen's donations to progressive causes, invoking The Bad Seed and The Children's Hour as well as the Scottsboro Boys and the McMartin case (like, seriously?) without seemingly having done too much research into reports of sexual abuse or empathy as to why women especially got so upset. We are all prisoners of our age, race, gender and class I guess. Also is there no better source for box office than Buzzfeed? Wikipedia was cited there too.

I'm nit picking. It's very thorough and will, like all McGilligan biographies, stand the test of time.

Movie review - "Millers in Marriage" (2024) **1/2

 Ed Burns in more contemplative mode - less jokes, actually no jokes, a lot of philosophising as former 90s heartthrobs flirt. Juliana Margulies,  Burns and Gretchen Mol are siblings, all having relationship dramas - Margulies is a best selling author with whiny Campbell Scott as husband, Mol has alcoholic Patrick Wilson and flirts with Benjamin Bratt, Burns is with Minnie Driver and deals with eccentric ex Morena Baccarin. A plot involving Brian d'Arcy James and Margulies is teased but not developed. The intensity of Baccarin gives the film some needed energy. It's very laid back. Kind of Burns' Interiors I guess.

Movie review - "High Treason" (1951) **

 Semi sequel to Seven Days at Noon isn't as good. No ticking clock, no compelling lead just a smug copper and a dull stressed agent, no humour, no interesting characters.

Red scare movies are fine if there are scares but this doesn't have any.

Stylishly shot and professionally put together. Just annoying, somehow. The posh commie villains lack the pizzaz of Hitchcock's foreign agents.

Movie review - "Pillow Talk" (1959) **** (rewatching)

 Really good script. Witty. Well structured. Maybe Thelma Ritter could've been used more (her suggestion to Rock is something Rock could've thought up). Risque - bathtub scene, jokes about Rock being gay and Rock having a baby. Rock is handsome and winnings. Doris terrific. But Tony Randall also superb. Everyone is terrific.

Saw this on the big screen. Stylish. Fun.

Movie review - "Return of Swamp Thing" (1989) **1/2

 Fun Jim Wynorski where it's great to see Heather Locklear out of soap stuff having a fine old time. Sarah Douglas is lots of fun and Louis Jourdan. The Jaws spoof of people showing scars was not originated in Clerks  - Wynorski does one here with Monique Gabrielle.

Movie review - "Top Secret!" (1984) **** (re-watching)

 Bewildering this wasn't a hit as the jokes are great. Maybe it doesn't have the same heart.  Maybe it lacked cameos. Maybe the central romance isn't as strong. Who knows?

A lot of big props gags.

Movie review - "Anora" (2024) ****

 Confident, very well done. Maybe could've had a half hour cut out - all those searching scenes. Excellent acted. Ideal for Mikey Madison - cheerful, not too bright, likeable girl with spine. Yura Borisov is a standout too.

Movie review - "Juror No. 2" (2024) ***

 If this is Clint's last film it's a classy one to go out on - confidently made, interesting, no clear hero (maybe the lack of a star hurt it at the box office - Clint could've played the Nick Hoult role even, just adjust the kid plot for a grandkid or something), amibiguous ending. The spirit of the 70s goes on. Shame it didn't get a proper push.

Movie review - "The Deep" (1977) **1/2 (re-watching)

 My memories of seeing it as a kid remain. Jacqueline Bisset in the shirt. The voodoo torture. The cricket match. The brutal murder of a friend. Spooky underwater stuff.

Lacks interesting characters. The actors are there but couldn't they have more to play. Couldn't they have given Jacqueline Bisset something to do? All she does is get attacked, look great when damp, and make a suggestion about a woman in ancient times.

Really Robert Shaw's character should have been killed before act three like he was in Jaws.

Lovely music. Great locations.

Movie review - "Gladiator 2" (2024) **

 Dumb. Badly written. Stuffs up a potentially great story. Paul Mescal is not a star. Denzel is. Why not start with the kid being whisked away with his mother. Great twin Emperors but they are wasted. Full of stuff that exists to be "cool" - baboons fighting etc. Makes no sense. Lazy.

Movie review - "King of Kings" (1961) ****

 For some reason this film is called a flop when it did very nicely particularly internationally - maybe MGM were expecting Ben Hur Mark Two which it wasn't but it made a strong profit.

Handsomely made. Smart. Hunter does well in a difficult role. The support cast steal the show but they always do in Jesus movies.

Movie review - "Hell to Eternity" (1961) ***

 Some theatre owners looked at the money coined by To Hell and Back and hopped on the bandwagon with another true life WW2 story. It has the edge in that it's about a man raised by a Japanese family so it tackles the treatment of Japanese. Jeffrey Hunter plays that role. David Janssen is a sergeant.

The film takes it's time, over two hours. This makes for an effective first act where Hunter grows up we get to know the family. Act two is terrible - Hunter and his mates on leave, dancing with some women. This is slightly bizarre. Act three is the Battle of Saipan - epic and well done.  Karlson has a gift for violent scenes it's full of memorable moments.

Movie review - "Good Luck, Miss Wyckoff" (1979) **

 Remarkable movie. Written by Polly Platt from a William Inge novel. Directed by Marvin Chomsky, and it has a 70s telemovie feel. Stars Anne Heywood and produced by Raymond Stross the husband and wife team.

Heywood tries her best as usual, and isn't quite up to it, as usual. She goes for it though - naked, raped, consensual, coervice, forced oral sex... all on a black man whose body is festishesed. 

There's a PhD in this movie.  It doesn't quite work. Needs better handling. But certainly lots of chew on.

Movie review - "Wrong Bet" (1990) ***

 Strong early Van Damme vehicle with the star in excellent sensitive-head-kicker form as the foreign legionnaire who avenges his brother's death - and gets the brother's widow and kid in the bargain.

I didn't realise the main subplot was a riff on Walter Hill's Hard Times and that's great. Works well. Harrison Page is the James Coburn part as the hustling mananger. 

Ticks the boxes well. Solid fights. Good character drama. Constrasting characters. Van Damme gets to be tough, sensitive, naked, adoring, loving, sexy. Well constructed vehicle.

Movie review - "Malpas Mystery" (1960) **

 Not bad mystery from Sidney Hayers and Anglo Amalgamated with Maureen Swanson out of prison and drawn into a series of weird episodes. Malpas is a creepy figure with a mask. Geoffrey Keen is Swanson's long lost father. Ronald Howard is a weedy detective not hot enough for Swanson. Sandra Dorne pretends to be Swanson.

I wish there had been more Malpas type weird stuf but this is tight and fun.

Movie review - "The Ring" (2002) ***1/2

 Spooky, clever, atmospheric, nicely handled, great shock moments, strong lore. Very strong work from Naomi Watts. All the cast is effective though.

Scary little girls - so many famous killers are kids, people respond to it I think. Film school aesthetic.

Movie review - "Five Branded Women" (1960) **

 This has a tremendous high concept - five women accused of colluding with a German officer (Steve Forrest) have their heads shaved by partisans and are kicked out of town and have adventures.

There's a classy cast - Silvia Mangano, Jeanne Moreau, Vera Miles, Barbara Bel Geddes and Carla Gravina - as well as Van Heflin and Harry Guardino as partisans. So it's a Europudding. Weird accents.

Starts off interesting but then becomes about the men. The women don't get enough time. There's a big battle.

Martin Ritt slagged off this film.

The basic idea is still strong.

Movie review - "The Ring Two" (2005) **

 The photography is normal, the mood has gone, it feels more generic. Naomi Watts is excellent the little kid is fine. But it's not much of a movie.

Movie review - "Inferno" (1999) **

 Tail end of peak Van Damme - he was big enough to produce and hire John Avildsen to direct and do his own cut.

It starts off interestingly with Van Damme in the desert being beaten up, Jamie Pressley driving past, Van Damme having visions of Danny Trejo.

But as the film goes on it gets increasingly confusing - Trejo is a vision then he's real, Pat Morita seems as though he's doing something big but he's hardly in it, I struggled to follow what was going on.

Over time I leaned in to the madness of the movie. Van Damme having a threesome with two blondes he's rescued. The randomness of Trejo's and Morita's appearances. A script that rips off Yojimbo then has a character at the end suggest they watch Yojimbo. The town using UFOs at the end to explain everyone disappearing. Coyote metaphors.

Van Damme produced and the film feels like it was produced by someone on cocaine, though I might be doing the man a disservice.

Action sequences are fine by the way. 

Female lead Gabrille Fitzpatrick is an Aussie.

Movie review - "Moulin Rouge" (1952) ***

 Bright, colourful, interesting. Gets points for Jose Ferrer's casting. Not a conventional lead - I think this honesty sold it, along with the dancing, music, prositutes, drinking and sex. Being set in France gave it the right amount of distance for English speaking audiences - they could enjoy it at arms' length.

Zsa Zsa Gabor is great fun. A dollop of lightness. Excellent stunt casting.

I really liked the first half. The second half was more of a slog - the second girl was dull and the script became repetitive.

Love how Jose Ferrer was made insecure by the handsomeness of Peter Cushing!

Movie review - "The Black Orchid" (1959) **

 Why did they greenlight this? Maybe it was post Rose Tattoo fever - another tale of a horny Italian widow, only even hotter, played by Sophia Loren. She falls for widower Anthony Quinn. Most conflict comes from Quinn's protective daughter Ina Balin.

All the acting is very good. Quinn is restrained and excellent. Loren has charisma. Balin very good.

It's just a bit dull. Sorry.

Movie review - "No Down Payment" (1957) **

 Sex in the suburbs - at least that's what I'm assuming Phil Yordan wrote and attracted producer Jerry Wald, but director Martin Ritt was more interested in the economics. 

Lots of acting. Mixes older Fox contract players (Jeffrey Hunter, Sheree North) with newer ones (Joanne Woodward) and method types (Pat Hingle). Fun to see Tony Randall in a serious role. 

The male roles are better than the female - Randall is a drunken salesman, Cameron Mitchell a war veteran, Pat Hingle worries whether to help an Asian workmate. Woodward has some fun as Mitchell's boozy wife. Patricia Owens has a full on breakdown scene after she's raped by Mitchell.

Too diffuse to be effective -too many characters to follow. Still, of interest, especially the characters of Mitchell and Randall.

When Owens is raped Hunter listens for about five secods then goes to attack Mitchell - but Mitchell easily overpowers him. That's interesting. 

The ending has all the characters go to Church. Life in the suburbs seems very depressing.

Movie review - "Edge of the City" (1957) *** (warning: spoilers)

 Made with skill. Beautifully shot. Excellent acting. I acknowledge the historical importance of it in depictions of blacks.

But at heart this is still a TV play.   Like many TV play adaptations there's not enough story. John Cassavetes gets a job on the docks, works with Sidney Poitier, nasty Jack Warden wants Cassavetes to work with him. And... Oh there's a romance with a dull woman nicely played. All the acting is fine.

When Poitier is killed it's depressing. He has a wife and kids and he died because of Cassavetes and because he's black. Cassavetes is a deserter and... yeah. So. Whatever. 

It is well made. I couldn't get into it. Cassavetes and Poitier are full of star factor, Ruby Dee is fantastic.

Movie review - "The Long Hot Summer" (1958) **

 Disappointing. Tennessee Williams lite. CinemaScope, Fox stars, Method actors, Paul Newman looking sexy, Orson Welles mugging it up, Joanne Woodward isn't hot for Newman until the end so it's not fun to see Welles try to set them up. If she was hot for him but fighting it that would've been fun.

Richard Anderson is dull though I guess that works. Tony Franciosca carries on. Lee Remick looks as though she's going to be more interesting than she is. Angela Lansbury provides solid support as always. 

I wanted to like this more than I did.

Movie review - "Friday the 13th" (2009) ***1/2

 They tried to make a good movie. They succeeded. Thought has been put into it. They care. People can't escape Jason for proper reasons. Jason is scary. The campy moment is when he discovers his mask but that was fine. There are decent kills and sex and nudity. 

I can't believe they didn't do a sequel.

Movie review - "The 39 Steps" (1935) ****1/2 (reviewing)

 Abducting a woman at gunpoint maybe isn't so romantic these days. The spooky nature of much of the film though has aged well. Paranoia. Scary. Great POV. Superb vignettes. Wonderful sense of humour.

Movie review - "Child's Play" (1988) ***1/2

 Fun horror film. Terrific villain in Chucky, who is scary, fast, cute and deadly. Catherine Hicks maybe overacts, Brad Dourif overacts just the right amount, the kid is fine, Chris Sarandon allows himself to be knocked out. Some bravaura set pieces like Chucky trying to kill Sarandon in a car and the final battle.

Movie review - "Goldeneye" (1995) **** (re-watching)

 Splendid theme song and romancing tune. Lousy action score. Pierce is very handsome and plays it well - he fits right in. Strong script. Memorable pieces. Why no Felix Leiter?

Movie review - "Halloween 4: The Return of Michael Myers" (1988) ***

 Odd movie. Half really good - strong story, expanding lore, terrific ending, Donald Pleasance hamming it up, Kathleen Kinmont having fun as a teen minx, a young protagonist ups the stakes, there's memorable set pieces in a school and on a roof. You can feel someone on the movie trying to make it good.

Against this is a bunch of illogical movements and silly scenes. A little more care and this could've been special. Much better than I'd heard. 

Movie review - "For Your Eyes Only" (1981) ***1/2 (re-watching)

 Excellent script but probably needed Sean Connery rather than Roger Moore. Can't think of the point of the Lyn Holly Johnson character. Loved Topol, Julian Glover, Cassandra Harris, Carole Boquet is dreadful. Suspenseful end. Wonderful locations.

Book review - "A Prayer for the Dying" by Jack Higgins (1973)

 Ripping page turner which feels incluenced by Odd Man Out though I may be unfair - Fallon is a superheroic doomed IRA man hired to do a private job. A terrific priest character - a violent man, veteran of World War Two, Korea and fights in Mozambique. Fallon is a worthy character too. The gay sadistic gangster hero is unfortunate - thriller writers loved their homophobia around this time.

Very exciting twists and turns and it all builds even if did think Fallon would kill the main guy earlier. They should've bought in the IRA too. I would love to have adapted this.

Movie review - "Hotel New Hampshire" (1984) **

 The novel is probably good. This seems to lack focus. Hard for a movie to do justice to more than one to three characters as this proves. Rob Lowe tries but is too pretty. Jodie Foster is stunningly good. Natassa Kinski suits the movie as well.

The serious stuff - death of the mother, rape of Foster, death of a child - is handled well.  But the film got irritating. I think it was a mistake to follow the characters of Vienna and then Hollywood. Sure, it was in the novel, but so what?

This is the sort of movie that no doubt has its fans. I am not among them. But good on Tony Richardson for having a go.

 

Movie review - "You Only Live Twice" (1967) **** (re-viewing)

 Connery seems bored at times but he's still Connery. Great settings and lines and moments. Tanaka is tremendous. Blofeld fun. Piranha lakes and Ninja armies and secret trains and Ken Adams being a genius. They kill off Aki too late and Bond gets over her too soon - that's the main flaw.

Movie review - "After the Ball" (1957) **

 Biopic about Vesta Tilley who I've never heard of and starring Pat Kirkwood who I've never heard of but both were big deals in England. It's very stock biopic, with bald exposition and musical numbers.  Tilley's life lacked drama -a lot of shows, a bit of World War One drama. She retires.

Romulus wanted to made it because it was a vehicle for Kirkwood and also Laurence Harvey who seems hamstrung in a hamstrung part as the husband/manager. No death, no reversal, no illness (they pump up an allergic reaction).

Some colour and. songs. Peter Rogers produced and it feels thrifty.  I mean it's period, and in colour but there's a lot of tight shots.

Movie review - "Fresh Air" (1999) ***

 Not much of a story, but interesting visuals, a bright cast, likeable characters. I enjoyed the scenes with the guy and his sick dad (Tony Barry) and it was authenticity. The director likes women.

Opportunities for drama thrown away like  Bridie Carter seemingly interested in the guy - why not have her flirt with him? Or Nadine Garner?

Still, hard to dislike.

Movie review - "The Custodian" (1993) **1/2

 John Dingwall may have written a great script for Sunday Too Far Away but he wasn't flawness and he's not the best argument for writer-directors. This is an intense, florid, corruption tale with Anthony La Paglia as a cop who decides to dob in mates including Hugo Weaving to journo Kelly Dingwall.

Famel characters consistently bland - Essie Davis' perfect coffee girl who just wants to be there for La Paglia and invites him home and is basically nothing, Naomi Watts also nothing to play as Dingwall's girlfriend, and there's also La Paglia's trashy wife Joy Smithers, and Barry Otto's nothing wife who is murdered (the only kick of this piece), Weaving's got a wife who's just there too. Nothing wrong with actors, just nothing to play.

La Paglia is meant to be a top cop but we don't see him do anything except dob. It's actually not that much of a role. Weaving goes full scenery chewing. Barry Otto is the best in the cast.

I don't think there's been a film with so many female characters that are nothing - you could cut all out of the movie except Otto's wife and she only makes it because she gets murdered.

Just put a dead body in it and have an investigation.

Movie review - "Flesh and Blood" (1985) **1/2

 The original idea was meant to be about two old comrades, Rutger Hauer and Jack Thompson, clashing. Orion pushed for more of a lovestory. Because it's Paul Verhoeven that means rape. 

Hauer is ideally cast although he and Verhoeven clashed on the film. Jennifer Jason Leigh has a perm, a sexual curiosity, gets gang raped, then is into Hauer.

The other casting is a real grab bag. Hauer's team include Bruno Kirby (!), Susan Tyrell (terrific), Brion James. Tom Burlinson is fresh faced as the prince betrothed to Leigh. Jack Thompson is a mercenary. 

The baddies are diverse - include several women, a kid, a gay couple.

Solid story. But no emotional links between characters. We forget Thompson and Hauer fought together. Burlinson is a stranger basically to Leigh and Hauer. Leigh and Hauer knew her.

Better if Leigh was Thompson's daughter and knew Hauer/Burlinson a long time.

Leigh goes naked a lot.  To a point where it's like "is this really necessary for the script?"

Movie review - "Mad Dog Morgan" (1976) *** (re-watching)

 I want to like it more than I do. I love the photography, sets, period detail, cast, Dennis Hopper, violence, madness, boldness.

Not a great script - a series of encounters. No core relationships other than Hopper and Gulpilil which seems like two odd bods. Frank Thring is evil. Jack Thompson is a pursuing cop but his role is small - he's undermined in a way too by Michael Pate's pursuing cop.

Great visuals. Consistently interesting. Phillipe Mora can't quite hook in the viewer via narrative. But he had a go.

Movie review - "The Journalist" (1979) *

 This got made because Michael Thornhill was on the board of the NSWFC and so had an "in", Roadshow made money on Petersen and so loved Jack Thompson, I think funding bodies thought "it's time we made a light comedy and here's one" and it sounded fun - "Jack Thompson as a rapscallion".

It's terrible.

This feels like a first draft, a vomit draft. The sort of thing entered in the Monte Millers.

Why didn't they get David Williamson to give it a pass?

You sense it'll be bad from the opening credits -played over scenes of Sydney Harbour, but the water isn't blue and the credits go on and on. They can't even get the credits right. I mean, just have pretty pictures of Sydney and keep it short. But all these people get their own card eg Stewart Wagstaff.

The story is dumb and confusing. 

Thompson is bad.  

Okay what I liked

- Elizabeth Alexander is beautiful and tries

- I like Candy Raymond who pops in at the end

- Don McAlpine is a good cinematographer

- Sam Neill does well

- there is camp in seeing Jack Thompson at the disco

- it shows the sexual desires of elder women eg Carol Raye, Margot Lee

What doesn't work

- the film keeps changing what it's about - he goes to Hong Kong,  then he's a journalist, then he's doing a government job then he's a journalist

- he's a bad journalist writes lousy copy can't type and doesn't investigate

- it's unclear what his relationship is like with Liz Alexander - they're together, she's pregnant, but she never seems that intohim

- the references to other movies and films eg Shampoo, Annie Hall - just make me angry at Thornhill's ineptness

- no sense of theme, of character

- no sexy, no nudity, no jokes, Thompson can't even get it up for two women (why include this)

- it was a scandal this was made

Movie review -"Spank!" (1999) *1/2

 Shot in Adelaide which is a point of difference - there are lots of scenes of Rundle Mall and some nice houses. Robert Mammone nicely underplays the lead who got out of a monastery which is interesting.

The story is about some Italian Australians who want to open a cafe. There's a lot of broad playing - a lot. Some guy who I kept thinking was Sal Coco mugs ruthlessly, gyrating and talking about woman. Vince from Heartbreak High mugs relentlessly, There's lots of mugging. It's exhausting. Maybe this would've worked on stage. I wondered why Mammone kept hanging out with them.

Many of the characters wear black and and have black hair and I had trouble telling them apart.  Especially has everyone acted like a maniac.

There was potential here - the story of young people opening up a cafe, colourful characters, a man out of a monastery having his first romantic relationship. That last subplot could have propped up the whole film if just played relatively straight with a bit of colour. (Even if there's some very unconvincing kissing - there's a great final shot of a conga line and everyone partying but 

 Rolf de Heer was executive producer.

Movie review - "Sex is a Four Letter Word" (1995) **1/2

 Some people sit around and talk about sex. A film of its time - this sort of raunchiness could not be seen on television.

It's surprising Joy Smithers organised a truth telling session when she's had an abortion and isn't sleeping with her partner (Rhett Walton). Did she not thing that was going to come out?

There's some twists - Walton is sleeping with uptight friend Tessa Humphries. Tony Waltton is bi and on with Miranda Otto and Mark Lee.  This part of the story is still fresh because we don't see many bi guys on screen even now.

It might've used being a movie more - ducking off to corner rooms works well.

Structurally the movie has flaws - characters will make revelations and then act as if the revelations haven't been made. Also the "my parents are bad" as get out of gaol is oversued, and Miranda Otto's character (while performed with plenty of energy) is a little Williamson/Bob Ellis (young, dim, horny, has great memories of rooting her music teacher at school).

Still there is a lot of energy, it's well acted, and it's impossible not to have admiratino for Fahey's spirit.

Movie review - "Star Portal".(1997) *

 One of the cheapies made in Ireland by Roger Corman, this has a strong source material, Not of This Earth but is just ineptly done. I like Athena Massey and it's cute to see her blending in to the world learning about sex and taking her clothes off, and Steven Bauer was sweet as a doctor with glasses who pursues her rather like Ryan O'Neal in What's Up Doc? but there's no suspense or horror and the film gets dumber and more incompetent as it goes on.

Movie review - "Undercover Heat" (1995) **1/2

 An utterly competent, perfectly designed late night cable erotic thriller, not with a huge budget, but a skilled, likeable, attractive cast. Athena Massey is very engaging as the cop investigating the murder of a hooker so she goes undercove as a high class call girl in a brothel run by Meg Foster with her offsider Jeffrey Dean Morgan. So there's some star power here.

It's cute (yes also and exploitative) how Massey discovers she quite enjoys doing increasingly sexual acts and tells her superiors to get lost.

The mystery isn't bad. Some promising subplots not developed like Massey and Morgan, and the romance between Meg Foster and Massey's boss. Nice friendship between Massey and the girl from Showgirls.

A movie that absolutely knows what it is.

Top unmade Margaret Lockwood films

 1) Rob Roy - announced before WW2, cancelled because of it... a great shame, would've been great, Gainsborough, Ted Black, Will Fyffe, Lockwood..

2) The Blue Lagoon - another Gainsborough project cancelled by WW2 it was good this was made in colour but young Lockwood would've been perfect 

3) Vanity Fair - announced in the late 1940s, presumably cancelled due to the financial crisis. Could have been fun. Maybe. I have limited confidence of Rank.

4) Ann Veronica - adaptation of the novel by HG Wells. Hmm... maybe director dependent. She did do it for TV and no one cared.

5) The Wicked Lady's Daughter - this should have been made. Arliss and company were still around. 

6) Mary Magdalene - Rank wanted to do this. She refused. Hmm.... I like the idea but Rank couldn't have pulled it off. The Americans could have.

Book review - "Helga's Web" by Jon Cleary

 The second Scobie Malone, revolves around the Opera House. We meet Scobie's miserable whiny working class parents - dad works on the Opera House and helps give them access which is good - and they clash with Scobie's girlfriend, Lisa, who moved here following The High Commissioner. 

Cleary had sex on the brain with this one. Interesting structure, it cuts back and forth between Scobie's investigation into Helga's murder and Helga's last few days. The identiy of the killer isn't that shocking.

The characters are types really - aspiring politician, his ambitious wife - although I liked the commercials producer, I wonder if that was inspired by Brian Chirlian. Cleary is strong on a sense of place and narrative, not so great on characters.

Movie review - "The Woman for Joe" (1955) **1/2 (warning: spoilers)

 Obscure Rank feature from the 1950s despite being in colour and Vista Vision - it got a decent release but wasn't a TV perennial. Perhaps due to the story. George Baker runs a circus and becomes best friends with little person Jimmy Karoubi. Then Karoubi falls for Hungarian barmaid Diane Cilento.

Having a little person as protagonist is so unsual the film has a fascination.  Karoubi isn't really up for the part - he's got a charisma, I just wish he was a better actor. George Baker isn't that good either - he wrote in his memoirs that Peter Finch should've played the role and he was right.

The film is too nice. Baker and Karoubi like each other. Cilento is a decent person. They still are selfish. Karoubi loves Cilento. She's hot for Baker. Baker goes for her even though he would (arguably) have other options and she would have other options. She's got to go for Karoubi's best friend and he's got to go for her. Sorry, they're selfish. They don't even struggle against their attraction. Then Karoubi dies in an accident (I think it's a hinted suicide because she set him up with a dwaf he rejected earlier in the film after Baker tried to set him up with her?) They go off together feeling a little bad. Sorry for bad language, but fuck them. In playing everyone as "nice" they still come across as insensitive pricks because at the end of the day Karoubi is a dwarf and he isn't.

It might've been more fun using the plot of Freaks. Cilento is  tramp out for Karoubi's mother and hot for Baker. Or if they wanted to make Baker nice have some sexy dude she humps. Throw in a murder.

The writer has done for a more sensitive portrayal. Which is fine. But those need really skilled handling. Everyone tries. No one is outstanding.  It needed a better director. Cilento comes off best despite a Hungarian accent - which again is fine just another layer of artificiality.

I read a review which said the film seems to go on forever. I get that and think I know why. It lacks pace, it puts everything out in a linear manner. We meet Baker. Establish his problems. We meet Karoubi. Things get better. We don't meet Cilento until 30 minutes in. The film could've stared five minutes before hand.

The glimpses of circus life are fun. This is a negative review but there are many good things about the movie. The fact it's about a dwarf is inherently interesting. It totally gets points for that.

Book review - " Cimino:The Deer Hunter, Heaven’s Gate, and the Price of a Vision" (2022) by Charles Elton

 I'm surprised it took someone so long to do a book on Cimino, I thought he'd be a natural, but I guess he was uncommunicative and lived a long time (thus better able to sue). Elton tackled the job with admirable enthusiasm, with his best "get" being he contacted Joan Corelli but also a close friend when Cimino was transitioning and Steven Bach's exec partner at UA (who slags off Bach a lot, not unexpectedly - but it doesn't discount Bach's version).

Elton makes a lot of minor errors, mostly about the history of Hollywood - he's prone to saying things were "unprecedented" when they weren't, and stuff like Something's Got to Give was completely shut down when Fox filmed it as Move Over Darling. I think he's also a little too forgiving of going over budget - the "well David Lean did it" argument.  

It's not definitive but it's really good and Cimino is such a fascinating character.

Movie review - "The Undead" (1957) **** (re-watch)

 Oh the rating is too high but I love this film. It's ambitious, its spookiness, the quality of its script, the dialogue - Griffith said Corman cut out the iambic pentameter but there's a bit in there. Acting quality varies - Richard Garland slightly OTT, Pamela Duncan is okay but Alison Hayes is wonderful and Val Dufour a great slimy shrink plus Mel Welles has the time of his life as a gravedigger.

It throws in dancing girls, Satan, a little person (Billy Barty), witches.  The ending has emotional power with Duncan giving up her life.

Movie review - "The Flying Fontaines" (1959) **

 Michael Callan given a lead role in this trapeze drama which references the Burt Lancaster Trapeze  a few times. There's a love triangle, talk of a triple. Callan is the only one of the young Columbia contract players to have much individuality. Bright colour. George Sherman directed. Bigger budget than a "B" it feels - "A minus" maybe. Not much of a story. Lacks a murder or something. Nice production values. Callan dances at a night club.

Gene Hackman top ten

 

Okay enough time has passed (arguably) to do a Gene Hackman top ten. Everyone knows the actual good movies so I thought I'd do my top ten weird Gene Hackman movies.

1) Lucky Lady (1975) - Gene has a threesome with Burt Reynolds and Liza Minelli. That is not made up. Burt gives Gene's arm a fondle the morning after. You gentleman, Burt!

2) Two of a Kind (1982) - reteaming of Olivia Newton John and john Travolta that no one remembers except uber fans - Gene Hackman provides the voice of God and does very well

3) March or Die (1977) - Hackman made a few films for Lew Grade's company ITC in the late 70s- I enjoyed this french foreign legion tale where he is, as always, good

4) Bat21 (1988) for some reason this movie was on like every few months on Channel Ten on Friday/Saturday nights in the nineties - there was probably a bigger market for pudgy men in war movies than people realised - this film isn't that weird actually it was more weird how it was always on Channel ten

5) Zandy's Bride (1974) - when people talk about how great cinema was in the 70s it's always good to say "what like Zandy's Bride?" in the conversation to be annoying - Hackman is good as always

6) Superman 4: The Quest for Peace - everyone took the money on this one - read Daniel Kremer's Sidney Furie bio for the inside scoop on what went down

7) First to Fight/ Covenant with Death (mid 60s) - when Hackman was working his way up through the ranks he had to support actors like Chad Everett and George Maharis in films like these because they were what people thought film stars looked like and Hackman wasn't - he graduated to "supporting peopole who looked like film stars and actually were" like Warren Beatty, Robert Redford, Jim Brown and Gregory Peck - but i guess you've got to get through Chad Everett first to get to Redford

8 ) Lilith (1964) forgotten film in which Jean Seaberg, who often sleepwalked through her roles, is terrific - so too is peter Fonda

9) Doctor's Wives (1971) - sleazy material with a director who had a class rep on TV and. a first rate cast - they manage to still make it sleazy material

10) Misunderstood (1984) - a male weepie with Hackman and Henry Thomas, coming off ET - i remember it made my cry as an eleven year old but I sense it may be terrible so am afraid to see it again

Movie review - "Return of the Secaucus Seven" (1980) ****

 Rough, of course, with some erratic acting and staging. But I love the film for its ambition. Being an ensemble piece, trying to break up chat with basketbell games, ordering drinks, nude swimming. You do get to know the characters - I think maybe a few different haircuts would've helped.

The tensions, humour and acting are well staged. There's "future star" spotting with Gordon Clapp and David Strathairn.

It's more sexual than other Sayles films except maybe Lianna. The scene where two characters, Adam leFevre and Karent Trott, whisper about wanting to do it and do it is very hot - Sayles didn't often write that, but he could do it well (eg Battle Beyond the Stars).

I loved the scene where they were arrested and these flakes, or people who seemed flakey (Mark Arnott as the druggie), started reeling off their arrests for political events. 

I would've liked to have seen Lacey, the actress again.

But I love the feeling of friendship, the indie vibe. I's an important movie.

Documentary review - "The Self-Preservation Society" (2009) ***

 Solid doco about making The Italian Job  with some great talking heads: Michael Deeley, Michael Caine, Robert Evans, Peter Bart (who never passes up a chance to self  promote), Peter Collinson's widow and kids. The Collinson story is inevitably moving.  Lots of details about cars. Fun clips. Good natured.

Ronald Lewis Top Ten

 I always called him "Roland Lewis". Anyway

1) The Square Ring - effective character work - I think he was a character actor in a leading man's body

2) Robbery Under Arms - the fault of the films are not his

3) The Wind Cannot Read - like many pushed as a leading man, made a better villain

4) Scream of Fear - excellent work

5) The Full Treatment - ditto

6) Conspiracy of Hearts - decent work in a good Ralph Thomas film 

7) Mr Sardonic - some William Castle fun

8) The Secret Place - solid noir

9) Storm Over the Nile - he doesn't have much to do but I like the movie

10) Siege of Saxons - cheerful kids film, Lewis has a bad blonde wig but is fine