The first of three films based on a popular radio series. This has the two stars of that, neither familiar, investigating a crime. It's an enjoyably lurid crime with George Macready worried his head will be lopped off.
It runs at an hour, the photography is splendid, Macready adds class as does Nina Foch. Satisfying mystery, stylishly made. I enjoyed this.
So-so Eastern despite the presence of talented people like Donald O'Connor and Mario Bava doing second unit. Henry Levin can make good movies but his output is variable. This isn't one of his better movie.
There is colour (though my copy was murky), lots of dubbing. Lacks energy. Story confusing. O'Connor tries and dances once or twice. There's some torture, dancing girls, dungeons, flying carpet. But never comes alive.
During filming there were riots where people died.
Henry Levin's first film as director, or one of the first, is a knock off of Cat People about a Romani wooman who can turn into a wolf at will.
Cast is interesting - Nina Foch, Stephen Crane (who married Lana Turner and fathered her daughter - he's not much of an actor), Barton Maclane.
This is okay. It gets better in the last third when Osa Massen goes full evil. Crane is fairly dreadful. Moves fast.
Comedy mystery based on a novel by a Hollywood columnist so it's set in the Hollywood world - a dead body turns up in the house of a movie star (Adele Jurgens) who calls in a journalist friend (George Brent) who tries to find out who did it. Joan Blondell is a rival reporter, the best of the cast - Brent is more of a lug though he's amiable.
Henry Levin keeps it at a fast pace. I like this sort of movie, it was fun.
The sort of movie that you want to just enjoy but it keeps stuffing up. Decent set up - Robert Morse gets dumped so best friend Robert Goulet takes him on his honeymoon. That's Forgettig Sarah Marshall. But the film runs out of ideas. What's at stake? Morse misses his fiance, Goulet tries to keep Morse apart.
Nancy Kwan seems ill at ease in this piece - it's great there's some colour blind casting (Goulet has a black secretary too) but she's not very good.
The film is full of scenes were you go "why don't they have someone sing?" like when Goulet and Kwan walk around. It's meant to be in the Caribbean but all feels like the backlot. Couldn't they afford any second unit work? Despite this and the lack of black Caribbean characters the film still finds a way for cultural appropriateion with Morse turning up as a "native".
Keenan Wynn and Jill St John liven things up at the end but it's all so contrived. Elsa Lanchester is wasted.
Goulet and Morse might've become movie stars but their luck was rotten. This isn't good.
Tight Columbia swasbuckler with a neat idea - some French officers at the end of the 30 year war try to stop villainous Frenchy Victor Jory from trying to start up war again. George MacCready is a good generaal the hero is Larry Parks who feels very American. But its amicable and fun. Margureite Chapman has a meaty role as Jory's spy/mistress who falls for Parks - she's got something to play.
Some beautiful diction on display with Jory and Macready. Henry Levin keeps it fast. From a Dumas story.
This just works. Location photography, lovely cast, splendid camraderie - the four girls are friends, but they befriend other girls, find boys, the boys become mates.
Dolores Hart has perhaps her best role - spirited, smart, liberated, attracted to George Hamilton. Hamilton brings some second tier star power. Jim Hutton v affable, Paula Prentiss hugely likable, as is Connie Francis who isn't asked to do too much - she gets Frank Gorshin who is engaging, though I'm sure Francis wanted someone better looking. The sexual assault done on Yvette Mimieux is very well handled. The film shows aspects of its time but has aged far better than other movies from this era.
