Saturday, July 31, 2021

Movie review - "Where No Vultures Fly" (1951) ***1/2 (warning: spoilers)

 Sometimes Henry Watt really got it right - with  The Overlanders and this. I take the point this has patrionising colonial attitudes but it's trying to modernise. The baddy is a white man and gives this speech about how the continent has gone to the dogs and how the people are useless which Anthony Steel nobly refutes - mind you there's no three dimensional black character in the film.

It's probably Steel's best role and performance. Not that the part is too demanding but he's ideal as a cheery, dogged game warden - third generation African he's careful to say at the opening. Steel is believable as an outdoorsy, honest warden - Stewart Granger lite. I mean who else could play it? At least Steel looks believable chasing after lions and shooting elephants.

Beautiful location work. Enjoyable white villains. Dinah Sheridan does well enough as the wife, exasperated but lovely. Female parts at Ealing were rarely any good. Cute shenanigans with a kid.

This is a real crowd pleaser. I mean, 1951 British crowds, but still... it's in colour, has lots of animals, has female and kid characters so it's inclusive, is Imperial but post-war Imperial. The sequel is far more racist and patronising.

Aaron Sorkin and dobbing

I listened to an interview with Barry Diller the other day who defended Scott Rudin over the “bashing up assistants” thing which led me to think about how Rudin is Sorkin’s main producer (Mockingbird, Jobs, etc) and how Sorkin has been so quiet on Rudin which then reminded me that one of Sorkin’s tropes that isn’t much discussed is the “don’t dob” storyline - he really loves it

A big arc of the final series of Newsroom was Dev Patel/Neil not “giving up a source” and indeed going on the run (and indeed disappearing from the show, to turn up and mock the social media team who were coming up with listicle click bait articles).. and there was another arc for Jeff Daniels not revealing a source and going to prison and then being let out because... I think just because

And on West Wing there was that plot where Martin Sheen decides to hire Lily Tomlin because she didn’t dob on her boss...

And from memory Richard Schiff who plays Toby hasn’t stopped complaining about his series 7 plot line where Toby did dob.

And in Molly’s Game the big... B plot, I guess, or A minus plot, is Molly not dobbing on her clients... apart from a few... I think... I got a little confused but I think she was meant to be admirable for not dobbing, but dobbing on Toby McGuire was okay, or something, and the lawyer’s daughter was studying The Crucible, which is all about not dobbing on yourself for doing something you didn’t do...

And there was that episode in Studio 60 on Sunset where they met the crazy writer Eli Wallach who it turned out was blacklisted and at the end of the episode one of the leads forced everyone to sit down and listen to Wallach’s blacklist stories...

And a great part of A Few Good Men hinges on the accused soldiers not dobbing, and the soldier who died was killed (basically) for dobbing

Then there was that time IRL when that female writer who worked on Newsroom took to twitter to complain about the rape storyline, and decry responsibility, and Aaron Sorkin responded he was upset that writer dobbed, eg betrayed the sanctity of the writer’s room

So anyway Aaron Sorkin and dobbing... lots of connections!

Movie review - "Out of the Clouds" (1955) **1/2

 Easy going Ealing film, professionally done (Basil Dearden directed). It doesn't go for big excitement - it's reminiscent of Airport but doesn't pile on the action like that film. The subplots include some gossipy old ladies, a romance between two Jewish passengers (he's going to Israel she's going to America to marry a rich man), a pilot (Anthony Steel) may be tempted into smuggling, another pilot (Robert Beatty) is grounded and wants to fly again.

The film pulls its punches - there's no crashing, Steel decides not to smuggle in the end (would've been a better film had he gone bad).

Steel is top billed but is off screen a lot of the time; Beatty has a bigger role. Later Bond girl Eunice Grayson is an air hostess - her part isn't big (there should have been more or at least bigger female roles).  There's a racist "foreign baddy" who tries to get Steel to smuggle. James Robertson Justice is a pilot.

There's a sequence where the Jewish couple go off to some colourful East End club which was kind of fun (I enjoyed the locals talking about cricket) but it pulls the action away from the airport. Didn't the filmmakers have faith in the concept?

Book review - "Once Upon a Time In Hollywood" by Quentin Tarantino (2021)

 A delight. Liked it more than the movie. It can go on detours. It's more joyous. Less anti woman. I didn't quite buy Cliff was so into European film, that sounded like Quentin, but I did love how he held his dead wife together for seven hours waiting for the coast guard. Warm heart. Love the changes from the movie, like ending it on the girl and Rick discussing how much they loved acting. Enjoyed the Aldo Ray chapter. Enjoyed pretty much all of it.

EMI Film Articles

 

 

Evening Standard 25 March 1971


Evening Standard 25 Nov 1969

Wednesday, July 28, 2021

Movie review - "The Shiralee" (1957) ***1/2 (re-watching)

A film that means even more to me now because I'm the father of a young girl, and the beautiful casting of Peter Finch is even more effective. It's a mystery how director Leslie Norman stuffed up Summer of the Seventeenth Doll but made such a good fist of this. Having the perfect star of course helps - Finch was never better as the charming, irresponsible drifter who abducts his kid in a fit of pique and is stuck with her.

The Australian outback is beautifully conveyed - the camraderie on the back of trucks, the slang, the casual mateship, the horrible local bullies (Guy Doleman and Lloyd Berrell) threatening Finch at the pub, the loneliness of Nial Maguiness. Charles Tingwell gives Finch a lift in the truck - is his voice dubbed?

Superb performance from Dana Wilson the little girl. Love the moments like her tagging along, and laughing in the rain with her dad, and him carrying her on her shoulders.

Rosemary Harris is lovely as the girl Finch once impregnated. Russell Napier is her dad - he was an Aussie, I wasn't familiar with him.

There is some stuff that I really didn't like. When Elizabeth Sellers the wife turns up wanting her child back... he holds his ground, the kid picks him, then Finch tries to dump the kid with his friends. What a lousy dad. I think they should've made the mum a drunk or something and not into the kid. They do at the end, kind of, but not enough - not when she goes to visit him in the country town. That's the twist at the end but they should've bought it in earlier. She's too sympathetic! She should go with her mother. He's not a very good dad, always dumping the kid outside pubs and in cars and leaving her with people he's just met like Reg Lye and talking about packing her off to boarding school.

Also I didn't like all the fat jokes all the characters make about Tessie O'Shea. They really pour it on.

The film recovers for a decent last act though - with heartbreaking stuff of Wilson chasing after Finch going "dad, dad". And the lovely moment where Finch roots the shop girl (Barbara Archer) who dreams of going to Wagga Wagga and some decent heartbreak when the kid is run over (off screen - they miss a trick).

Oz movie fans will love seeing familiar faces bob up like Bruce Beeby (Finch's lawyer), Frank Leighton (a barman who knows Rosemary Harris), Henry Murdoch (Aboriginal actor in a car).

Movie review - "Day of the Triffids" (1963) **

 John Wynham's novel is a classic. This isn't that but has it's own charm especially when you realise the Howard Keel section was shot first then they ran out of money or script and then filmed the Keiron Moore-Janette Scott stuff in a lighthouse later.

Some nice moments like the icecream truck and... I think that's about it. I guess there's some decent ish scenes of panic.

Actually this film isn't that good. It's a mess. A jumble of scenes.