Movie review - "The Young Stranger" (1957) ***

 A nepo baby movie in a way - based on a TV play Deal a Blow by Robert Dozier, son of William Dozier, and starring James MacArthur, son of Ben Hecht and Helen Hayes. When William Dozier became head of RKO he greenlit a film version and got the director of the TV version, John Frankenheimer, to do the job again. Frankenheimer later the experience - he was younger than the crew, who grumbled and fought with him,

It's still basically a TV play. A solid one. MacArthur is a middle class kid, his dad thinks he's done a decent job providing which he has but he hasn't spent any tme.

David Shipman the critic loved this. I'm not sure why - maybe it was personal. MacArthur has a close friendship with a fellow male teen. 

I liked that the mum and dad had a relationship that was wobbly but feel this could've done with more scenes outside, in high school, with a girlfriend. 

Interesting autobiographical touch in that the kid's dad is a film producer - I was reminded of the Rob Reiner film about his sin. 

Movie review - "The Train" (1964) ***1/2

 Burt Lancaster called in John Frankenheimer to replace Charles Crichton on Birdman of Alcatraz and did something similar after he booted Arthur Penn from this movie. It's has a fabulous concept - the Germans are trying to take French art works from Paris as the Allies approach and the French resistance is trying to stop them. Burt Lancaster is the leader of the French.

It's smart. Looks great in black and white. Long. As French as it can be. Lancaster strong star, Paul Scofield ideal. I would've liked more of a character relationship with Lancaster and someone. I know that was tricky. 

Movie review - "Seven Snipers" (2026) **

 Starts strongly, then gets more and more wobbly as logic holes emerge (why do they stand around so much? why don't they call for help). The film really should've been about seven snipers after Radha Mitchell. There is some Bondi casting when using more authentic military types might've been better. Some effective moments. Tim Roth looks as though he's about to fall asleep.

Book review - "Elizabeth and Monty: The Untold Story of Their Intimate Friendship" by Charles Cassilio

 Montgomery Clift comes out of this badly - bitchy, self pitying, smart, whining about his loss of beauty, a junkie, a pain. People loved him though. And even people he annoyed worked with him again. Liz Taylor comes out of this wonderfully. Brave, funny, loyal, smart.

Gossipy but done with scholarship. And you know something? The small size of Clift's manhood is not insignificant. 

Each film the two made together were iconic in their way - Place in the Sun, Raintree County, Suddenly Last Summer and (in planning) Reflections in a Golden Eye.  But sorry Clift was a bit of a loser.

Movie review - "Grand Prix" (1966) *** 1/2 (warning: spoilers)

 MGM's big roadshow made some money but I don't think recouped its cost. Director John Frankenheimer had a great time as he should with Bob O'Brien (very talent friendly) as the studio head, a large budget and European locations.

The movie was meant to star Steve McQueen, who turned it down, as did Paul Newman and Robert Redford, despite the latter not being famous yet. They got James Garner who was trying to be a movie star then. He doesn't quite work - the head is too big or something.

Two other big movie stars are in it - Toshiro Mifune and Yves Montand, who are comfortably cast (not always the case in their English language pictures).  Mifune's role is not that large and he is atrociously dubbed - I wish he'd been a race car driver. Montand is one of the four main stars. The other two are Brian Bedford and some Italian guy, Antonio Sabato.

The racing sequences are superb - justly famous. The land stuff is bland. It didn't have to be - it's not that interesting, that's all. The romance between married Montand and Eva Marie Saint is just... whatever. Saint is a great actress but wasted in the part. Who cares? Why have him married? At least Saint gets a chance to emote with Montand dies. 

Garner's plot is alright - seeking redemption after an accident. Ditto Bedford's.   I just wish more attention had been paid for it.

I'd love to see this on the big screen. 

Movie review - "Linda" (1960) **1/2

 Engaging B picture from Independent Artists/Bryanston directed by Don Sharp. It focuses on young people in love - Carol White, eventually to be legendary, and Alan Rothwell.

White was cast by the producers after working for her in Never Let Go. She was just seventeen. She and Rothwell genuinely seem young - I mean, they are, but seeming it is a different thing to being it. 

The plot has Rothwell hanging around with a Bad Lot (milk bars, table tennis, juvenile delinquency), on the verge of being a criminal, to the worry of a smug, friendly local vicar. He romances local girl White - they have a nice day trip (pleasing location scenes), then he paws her, she says no, she goes on a date, he thinks she's putting out, he sulks and acts possessive and controlling, then they get together, and agree to get married. So it's a film of it's time.  The structure is solid. You just sense he's going to be bashing her in a few years.

White hadn't grown into her looks let, she seems to be a kid. Rothwell is fine - everyone can act.

Don Sharp directs quite well. 

For a long time this movie was considered missing.  It's not a msterpiece or a gem, it feels like a television episode with decent production values, but ti's not bad.

Movie review - "The Challenge" (1982) ***

 John Frankenheimer action flick which had to be rewritten at short notice by John Sayles to change it from a Chinese setting to a Japanese one. Scott Glenn was being trialled in a few leads around this time (eg The Keep) and he's quite good as a boxer. The Macuffin is a sword.

This is a decent movie - it tries to be good. There maybe could be more action. A fair bit of character stuff - Glenn complained more was cut out, but actually I'd rather more action. Not enough Glenn-Mifune.

The villainous henchman who's playing video games was effective. Pretty production value.