Movie review - "Made in Heaven" (1987) **1/2

 Alan Rudolph tries studio filmmaking and turns it into an independent film. This cost a lot of money but it didn't have to - it would be better if it was cheaper. Tim Hutton falls for Kelly McGillis in Heaven and tries to find her in the real world.

Debra Winger is an angel, Ellen Berkin is a devil. Tom Petty pops up as does Neil Young.

The movie has a compelling dream like state. There's a structural issue in the second half as both characters draft along in Earth waiting to meet. In Sleepless in Seattle Meg Ryan knew about Tom Hanks and tried to meet him, and discuss him; he came into contact with her. Here Kelly McGillis has relationships with Tim Daly and another guy. Hutton drifts. It's frustrating. It's like they don't deserve true love or something.

Best bit is Hutton meeting his own parents. 

Movie review - "Songwriter" (1984) *** (warning: spoilers)

 It starts as a mess with random voice over and choppy editing and feels haphazard but I went with it because everyone seems to be having a good time - Willie Nelson in a lead, Kris Kristofferson as a mate, Lesley Ann Downe as a new singer, Richard Sarafin as a villain.

It ambles along, plenty of songs, better casting than Roadie. It's probably at heart a **1/2 movie but I loved the ending where Nelson sells Sarafin Downe's contract and she becomes a Born Again! I loved that. 

Movie review - "Return Engagement" (1983) ***

 Alan Rudolph's documentary is one of his least personal but most interesting film because it's about two nutters - Timothy Lear, pro drug advocate, and lunatic G Gordon Liddy.

Liddy's wife appears with black eyes. 

Janet Leigh Top Ten

 1) Psycho (1960) - famous scene but also a genuinely nuanced performance as a frustrated woman who makes a bad decision - Vera Miles doesn't have what Leigh had

2) Touch of Evil (1958) - passive (kidnapped) but she has an inner steel

3) Living It Up (1954) - really fun Martin and Lewis movie and Leigh matches well with Dean 

4) Scaramouche (1952) - honestly her character is a ninny and not in Eleanor Parker's league I just love this flm 

5) Little Women (1949) - the most nothing role in the story but she's ideal - she fitted in well at MGM

6) The Manchurian Candidate (1962) a sex positive woman chasing after Frank, from Leigh's hot streak of classic movies

7) The Fog (1980) - she's fine rather than great I just love the movie

8) The Vikings (1958) - lovely and warm in a movie that needs it

9) Houdini (1953) - perhaps the best film she made with Tony Curtis, very winning

10) Harper (1966) - one of many stars.

Movie review - "Endangered Species" (1982) **1/2

 Alan Rudolph tries again to go commercial in this conspiracy/government film about cattle mutilations. Robert Urich is amiable but miscast as a burnt out cop with a grown daughter - Rudolph's choice of Bob Mitchum would've been better. Jo Beth Williams is lovely as the local cop in a small town where cattle are being killed. Hoyt Axton is a local rancher. Peter Coyote is military with an absurd moustache.

The film clearly has beats it should hit - paranoia, conspiracy etc. Rudolph who specialises in light hearted mood and sexiness isn't really suitable.  The music sting is dumb. The ending is unsatisfactory.

Like Roadie this doesn't hit the exploitation beats it needs to - scares, violence, thrills.  You never believe Urich and that kid are related. Still the movie has a sort of charm - its laid back nature does help sell the story. It feels like it's in the country. 

It's not bad. It's just underwhelming.

Movie review - "The Stalking Moon" (1969) **

 Made by classy people - Alan Pakula, Robert Mulligan, Gregory Peck, Alvin Sergeant, Eva Marie Saint - but it doesn't work. The music score is silly and the story dragged out too much. It should be simple and terrifying from the get go. Gregory Peck and the soldiers rescue Eva Marie Saint and the others too easily. There's too many people around. The film should have kept going right after all the people at the stage coach post are slaughtered - there's this gap where the stagecoach appears and Peck takes them to his farm. The people making this know acting and that stuff but not how to create suspense.

Robert Forster is in the movie to die, so is Russell Thorson. The little kid is stakes - there's little exploration of the fact he wants to go back to his dad.

Not very good. 

Movie review - "Roadie" (1980) **

 Alan Rudolph was in director gaol after Remember My Name so took a studio gig though it was still New Hollywood - anarchic rock and roll film about mechanic/roadie Travis based on an alter ego of a Texan writer.

It's clear what this should be - a romance between Travis and a groupie. Only he looks old and she's meant to be a sixteen year old virgin so that's yuck, even for 1980. And I get why Meatloaf was cast and he's got energy but he doesn't have warmth and the center to play the lead - maybe John Belushi could have pulled it off. And Kiki Hunter isn't right. Meatloaf's family are haw haw caricatures with OTT acting. There's no heart. The movie needed to be made by Alan Arkush or someone. It also needed more 1980 nudity to be freank.

I was disliking this film intensely but it does get better when Debbie Harry and Alice Cooper appear. They are natural and play themselves. But the two leads have no chemistry and both feel miscast.