Alan Rudolph's fourth feature, though second "proper" one, is full of interesting moments, including a lead for Geraldine Chaplin and Tony Perkins as a stud opposite his wife Betty Berensen. Perkins and Berensen are married when his ex Chaplin gets out of prison and chaos ensues.
The film keeps you guessing. No one feels entirely well cast but everyone works. There's an unsettling mood of madness, violence and sex. It's got a standard set up but it's given a non-standard production.
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