Friday, October 16, 2026

TV review - "Path to War" (2002) ***1/2

 I love how Frankenheimer ended his career as it started with TV plays. This is a dramatised documentary really but with a knock out cast - Michael Gambon as LBJ, Felicity Huffman as his wife, Sarah Paulson as his daughter (love the mention of her sister dating George Hamilton), Alec Baldwin as Macnamara, plus Donald Sutherland, Frederic Forrest, Bruce McGill, Philip Baker Hall and other hey it's that guy actors.

Story is a tragedy - a man who did so much good but also undone by Vietnam. That was idealistic but he didn't have the courage to walk away. 

Long but engrossing. Good one for Frankenheimer to go out on.

Play review - "Martin Guerre" (2026 performance in London)

 Fantastic direction and performers and sets. Story has good meat but there's an element of uncertainty about it. Why do it? Les Mis, Hairspray etc have something underneath it. This doesn't. It's like they cant make up their mind. I read they keep changing aspects of the story - who lives, who dies, what the wife knows. Pick a lane. Fabulous presentation but there's a hole at the core.

Play review - "Stranger Things: The First Shadow" (seen 2026)

 Excellend. Theatrical. Wonderful production values. Had a vision - origin story of many characters - and also a point of difference - being set in 1959. Loved the shout out to Bucket of Blood. Making central relationship a black white thing gives it more resonance.

Play review - "What the Animals Say" by David Ireland (2008, review 2026 performance) (warning: spoilers)

 Excellent production of an interesting play. About two Irish school friends - one a champion soccer player the other an actor, so it has a showbiz feel. Has violence but doesn't build to a death. On the night I saw it the mention of Mel Gibson made me and the other Aussie in the audience laugh loudly and no one else.

Musical review - "Jane Eyre" (2026)

 The musical was fine, sometimes splendid. Too many cast members. Nice how they were faithful but... what was the point? What's the underlying reason? They cast a pretty girl as Jane who is a great singer but couldnt act. She's just pretty. Rochester was good.  Maybe too faithful to the text. Best appreciated as a straight up romance.  The show I saw was full of school girls who gasped with shock with the reveal that Rochester had a wife - that was fun.

Play review - Ayckbourn #34 - "Henceforward" by Alan Ayckbourn

 Really enjoyed this. A bit sci fi but not too mucy. Ayckbourn takes himself ot task for being a vulture on the emotions of others. I would have liked to have seen the actress character back again. Loved the decaying world with the threat of gangs outside and the violence implied. There is humour and darkness. Very well done.

Radio review - "Unmade movies - Mary Queen of Scots"

 Famous unmade script by Jay Presson Allen which almost got shot by Alexander Mackendrick starring Mia Farrow before being cancelled in the great British film crisis of 1969. It was famous because Mackendrick pretty much retired soon after to go into teaching and because it sounded better than the 1971 Hal Wallis movie that was made on this queen.

The result actually isn't that great. It's fine. But it doesn't fix the problems in the story - Mary's state of mind. She gets knocked around too much - Rizzio gets killed, her husband hits her, her husband gets killed, Bothwell goes away, she winds up in prison.

I think Mary is one of those characters too complex to be a lead she might be better off as a support character. She feels real here and it's a good gutsy drama but it's unfocused. 

Radio review - "Unmade movies - Victory"

 The BBC do an adaptation of Harold Pinter's unfilmed script of Conrad's Victory. It's fine, nothing amazing. A bit rape-y. Vanessa Kirby plays Lena which is cool. Richard Eyre adapted it and directed. 

Play review - Ayckbourn#35 - "Man of the Moment" (1988)

 Really enjoyed this. It's "the one with the swimming pool" - set at a villa in Spain where a Ronnie Biggs style crim is reunited by someone who stopped his robberty. Based on Biggs' sidekick Buster Edwards. The satire of the media is a bit whatever now but I loved how the crim was still violent and threatening and it ended with a death, and how the "good" man exploited the robbery to get the traumatised and injured woman no one was interested in.

Play review - "You Never Can Tell" by George Bernard Shaw (1897)

 Shaw in a very light mode - shenanigans by the sea with a dim dentist falling for one of Shaw's sensible women. Main plot involves the woman and her siblings encountering their long lost dad. Comedy of errors and mistaken identities. Nothing solid underneath it but amiable enough.

Play review - "The Crucible" by Arthur Miller

 Listened to audio version with Stacy Keach and Richard Dreyfus. So powerful. Yes, Abigail is a bit conveniently evil she just wants to shag John Procter. There's another lying woman upset her children have died. But the torment of Procter is well done, the fantacism and legalities skifully conveyed and it has a knock out finale.

Play review - "Death of a Salesman" by Arthur Miller

 Listened to an audio version of this starring Stacy Keach. Very good. Tormented. Long. Biff and Happy are terrible names. The wife worries, gets great speeches but isn't much of a character. But the piece has such power - what's the point of a life? What do you do when you sell and not make? Gut punch.

Tuesday, October 13, 2026

Movie review - "When Time Ran Out" (1980) * (warning: spoilers)

 One of the movies that killed the disaster movie cycle despite writers including Carl Foreman and Stirling Sillipant and a genuine all star cast - Paul Newman as a rugged oil rigger, William Holden as a hotel owner, Jacqueline Bissett as Holden's secretary, Burgess Meredith as a guest, James Franciscus as a rich man, Veronica Hamel as his girlfriend. There's also Ernest Borgnine, Pat Morita, Barbara Carrera, Alex Karras, and others.

The original book was based on a real volcano eruption on Martinique which would have been far more interesting. I guess they had a failure of nerve.

Instead Allen pulls from his other hits - Paul Newman redoing his tough Toweing Inferno stuff, Fraciscus playing Richard Chamberlain in Inferno, a reprise of the crossing the gangway scene in Poseidon Adventure, a reprise of most of the people refusing to come along with the escapees in Poseidon, a reprise of Shelley Winters' death in Poseidon, the fact most of the film concentrates on a small group of refugees like Poiseon.

It's poorly directed and structured. I enjoyed people panicking and trashing the helicopter but it made no sense so many would stay in the hotel. And when they stay in the hotel it's unforgivably dull... everyone hangs around doing nothing and they're killed at the end. The opening location shots of Hawaii are nice but the volcano stuff looks cheap and studio bound. The action is dull - mostly walking over things and falling. Too many perms. Holden seems drunk, Newman looks bored, Bisset is trying. The only ones giving their all all the old character types like Meredith. 

Monday, October 12, 2026

Movie review - "Crack Up" (1946) **1/2

 Good tough Pat O'Brien noir directed with enthusiasm from Irving Reis and a confusing plot with an art element - I'Brien is an art critic. Decent cast including Herbert Marshall and Claire Trevor.

Sunday, October 11, 2026

Movie review - "Gigli" (2003) * (warning: spoilers)

 A famous bomb. Ben Affleck tries and Jennifer Lopez has never looked hotter which is saying something. Some problems

- there's a lot of hanging around a flat, with a kidnap victim, so the movie has no pace

- Lopez is a lesbian but we spend a lot of time with Affleck and Lopez flirting and then they fall in love.

- kidnap victim Justin Bartha is a Simple Jack character

- there is no pooint to the kidnapping, they do to help Al Pacino then Al Pacino comes along and says "we don't do that" so all the threat was removed.  

I can't see how the film was ever going to work with Affleck falling for a lesbian... and her wanting to be with him. I know why they did it but it was wrong. 

Bartha is never going to get together with the girl at the end. Not really. And she has a terrible Australian accent. 

Martin Brest was not a writer.

A story without stakes, a tricky subject (man falls for lesbian) not dealt with, another tricky subject (intellectually disabled man is kidnapped) poorly handled. 

Movie review - "Studio Affairs: My Life as a Film Director" by Vincent Sherman (1996)

 Highly entertaining book. Sherman was a good director with a second-tier career. This book explains why - he was constantly given "go" projects that weren't always the best and it seems he wasn't too crash hot on script but he was excellent with actors. He would be called in to help on troubled projects.

The book is enjoyably non-discrete - he had affairs with Rita Hayworth, Joan Crawford and Bette Davis.  He did one of Errol Flynn's best movies and I wish they'd worked together again. He was blacklisted. Admits he was a shit to his wife.

Book review - "The Mad Emperor" by Henry Sidebottom (2022)

 Exhaustive. Very well researched. A more linear approach may have been better. A bit academic-y in that it takes a historiagraphy approach a lot of the time instead of getting into character. A serious work though.

Play review - "Misalliance" by George Bernard Shaw (1909) (re-reading)

 Lots of jolly japes and zingers among the rich at a house. Not a lot of plot but fun.

Play review - "The Devil's Disciple" by George Bernard Shaw (1897)

 A cad in revolutionary America redeems himself via an act of bravery to impress a sensible woman. The British officer at the end is fun.

Book review - "Roll the Calls" by Ari Emmanuel

 Starts off brilliantly, written in a pulpy, brief stacatto style, and Emmanuel is full of energy. As it goes along it gets tiring. The feuds. The persistence. The varying moral stances. A person of great ability and tenacity and the book gives you a sense of that. But it began to drag. At least he has a sense of humour. 

Play review - "Arms and the Man" by George Bernard Shaw (1894)

 I can see why this is popular as the idea is great - a mercenary soldier winds up in the bedroom of a woman engaged to a idiot soldier. The mercenary has business like attitudes to fighting which is funny and the romance is well developed.

Play review - "Mrs Warren's Profession" by George Bernard Shaw (warning: spoilers)

 A first rate dramatic situation - daughter finds out mum owns a brothel - leading to lots of sensible chat from Shaw's sensible women. The piece probably lacks a crazy puritan to livens things up. The daughter starts and ends the same way - she's a bit of a bitch to reject her mother.

Play review - "The Highwayman" by John Godber

 Interesting take on the life of a highwayman, which has strong moments - gags about death, songs, effective use of three people. I enjoyed the use of a small cast and bare stage it worked well. The actors were efficient when more passion and ham would have been ideal.

Play review.- Ayckbourn#20 - "Just Between Ourselves" by Alan Ayckbourn (1976)

 Second tier Alan Ayckbourn because the family stuff hasn't aged well - the women making cups of tea, jokes about female drivers. It was presented in 1976, to be fair. As a drama this is fine - all set in a garage, the tale of two couples, one man tries to sell the other a car, both have marriage troubles, a woman has a nervous breakdown. This was written in a few days and feels like it - there's a lot of chat. It would be a decent night at the theatre.

Play review - "View from the Bridge" by Arthur Miller (warning: spoilers)

 I remember seeing this play with a girlfriend who wasn't a theatre fan normally but the piece really spoke to her - the overprotective dad figure. Here he's a uncle, excellently played in the audio version by Ed O'Neill, who is perhaps incestuously attracted to his niece but he also kisses the niece's boyfriend. The piece builds logically to his death at the hands of the Sicilian, and the Greek chorus device of the lawyer works well - who admits he envies the uncle in a way because he shows his real self instead of fifty0fifty.

Saturday, October 10, 2026

Movie review - "The Magic Garden of Stanley Sweetheart" (1970) **

 This film is wild. Don Johnson was plucked off the stage to star as a fboi college student rich enough to have his own apartment who wants to be a film director and sleeps around. He has sexual fantasies but real life is pretty good - he gets virginal Dianne Hull into bed, in part by really heavy-ing her in a rapey way, then sleeps with her chubby friend Holly Near via using the filmmaking dodge, and hooks up with a hippy Linda Gillen and the beautifuul Victoria Racimo but is still hung up on Hull.

There's some nudity, four letter words, and plenty of sex but the public didn't like it.  I wonder if this was meant to be a set in the queer world? Maybe life was like this. There's no real characters to hook into. Michael Greer comes off best as Johnson's friend.

There's a Hollywood mantra that characters need to be good at their jobs. If Johnson's character was into some decent cause like the anti war movement or was at least a decent filmmaker it would help. 

Friday, October 09, 2026

Movie review - "Year of the Gun" (1992) ** (warning: spoilers)

 Andrew McCarthy is an amiable leading man who could've had a longer stint as a semi-star. He's not a real star - Sharon Stone is. It's bizarre this film was made - an account of an American in 1970s Italy dealing with the Red Brigade. John Frankenheimer wanted it shot in black and white which would have made it more interesting. He also wanted a different leading man

Valerie Golino is very good and often nude as McCarthy's girlfriend.  They should have cast an Italian rather than John Pankow as an Italian lecturer.

It never answers the question why do we care. McCarthy sleeps with Golino, writes a novel, the Red Brigade think he's got inside information, kidnap him, but let him go. He's very passive. At least Stone has a proper job, taking photos etc

Sex scenes between McCarthy and Golino quite hot though him and Stone feels awkward. 

Maybe this would've worked if from Stone's point of view. 

Book ereview - "Montgomery Clift: A Biography” by Patricia Bosworth

 Excellent deep dive on Clift's life and careers. So many people on the record  - lovers, friends. Often harrowing reading. Everyone says Clift was smart, brilliant, funny. But also weak, addictive, whiny, annoying. Given great advantages that he threw away, kept blaming other people (his mother, Hollywood).

Play review - "Incident at Vichy" by Arthur Muller (1964)

 Excellent play about a group of men held by the Germans in Vichy France. Miller at his best - a lot of angst and argument. Builds to a memorable end.

Theatre review - "Merry Wives of Windsor" by William Shakespeare

 Saw this in Exeter. The best actor played Falstaff. The play really should be about the women Flastaff is a supporting character. Feels very quickly written

Theatre review - "Letter to Brezhnev" (2026)

 The film on stage basically. Needed more of a reason to make it. Like songs, or tell the story of the making of the film (its gay writer picking up Russians and passing a script to an heiress passed out on his couch whose brother financed it). Still entertaining to watch. The lead girls were great.

Movie review - "Letter to Brezhnev" (1985) ***

 Sweet, simple, fantastic idea, lots of nightclub scenes, from the heart. You want to see what happens when she goes to Russian. Acting is fine - the girls have authenticity, if the guys are putting on accents that's understandable and the film's not really about them.

Sunday, October 04, 2026

Movie review - "The Manchurian Candidate" (1962) **** (warning: spoilers)

 Wacky, imaginative, scary, funny. Frank Sinatra looks conspitated, Janet Leigh slightly camp, Laurence Harvey effective, Angela Lansbury sublime. Kicks up when Harvey kills his very nice bride and her father.

Sinatra's character is a bit of a dill, letting Harvey go, failing to stop assassinations. Sinatra's torment strong at the tend. Woman very sexually aggressive here - Leigh and Harvey's girl and Lansbury. Lansbury so good. 

Movie review - "52 Pick Up" (1986) ***

 One of the better films from Cannon Picture it's pretty grim. Roy Scheider is a businessman blackmailed by three genuinely interesting villains over an affair he's having with Kelly Preston. Scheider refuses to go to the police and as a result Preston dies, wife Ann Margret is raped, and both almost die. He doesn't get much come uppance to be frank.

Nice to see Ann Margret in a decent film but her part isn't much. Scheider is fine, John Glover and Clarence Williams are superb, Robert Trebor good too. I love how Glover is into the financial books.

Saturday, October 03, 2026

Movie review - "Shine" (1996) ***1/2

 Hadn't seen this since it came out. Has aged quite well esp in its depiction of neuro diversity. Stunning acting from Geoffrey Rush, Noah Taylor and Armin Mueller Stahl. I forgot Sonia Todd was in this. Such a clever script - every section has a character who is nice to David (the music teacher, Googie Withers, John Gielgud, the old ladies, Sonia Todd). 

Play review - "Darkling" by Titas Halder (warning: spoilers)

 Great set. Moving topic. Lead actor played it in one note. Text maybe needed to use names for characters we don't see. A lot of description and repetition and I zoned out a bit. The final section is strong but you can't go wrong with disaster and a dead baby.

Play review - "The Children" by Lucy Kirkwood

 This was really strong once it got going - but it took about 30-40 minutes for the plot to kick in i.e. that Kerry Fox wanted the other two to come with them to the nuclear plant. Once it did it was fine. Three well defined characters, a decent dilemma.

Play review - "Affluenza" by Andy Sandberg

 Knew nothing going on. Enjoyed it a lot. Felt there was more to be mined about the defence of affluenza, but maybe they figured the Ethan Crouch case was sufficiently well known. It kept me guessing. Noah Schapp's first appearance was silly, walking in and drinking wine and walking out. The play wasn't that well directed - transitions bad, the ending confusing. 

Musical review - "Thelma and Louise" (2026)

 A half success. Great leads and some first rate songs but doesn't quite click. Needed to set up their existing lives more. Why give songs to the detective? Also why give the song during Thelma's first proper sex to the guy and not her? The musical number with the pool is silly. The one about Texas is brilliant. This needs more work and less silly dancing but it has a lot of potential and emotion.

Play review - "Table 17" by Douglas Lyons (warning spoilers)

 A relationship in flashback at a dinner - we get to know the couple and various people played by the one actor (a secretly romantic gay waiter, a scene stealing character; a sleazy bartender who I would have liked to have seen more of; a sleazy airline guy). Nothing super new but a fun night out and I liked the open ending. 

Play review - "The Doctor's Dilemma" by George Bernard Shaw (1906)

 Strong dramatic situation - doctor torn whether to let useless artist husband of a woman he loves live. Lacked a little something for me. Maybe too smarty pants about medicine which does do a lot of good.

Play review - "Saint Joan" by George Bernard Shaw (1923)

 I loved this because it had all the smart arguments about religon and politics but also an emotional core because Joan is prosecuted for being competent and smart and her death is horrible. 

Play review - "Pygmalion" by George Bernard Shaw

 Funny. Clever. All that. Show stolen by Eliza's dad. Shaw loves these feisty women and asexual men.

Movie review - "Pat Garrett and Billy the Kid" (1973) ***1/2

 Watched some version of this. I think the preview. So much great stuff - James Coburn brilliantly cool and tormented, notwitstanding the gag of him in bed with four hookers, Kris Kristofferson brilliant. Love the music. The look. The male actors. Female characters a disgrace but it's Peckinpah. I liked Bob Dylan's appearance.

It's a movie of great scenes. But it doesn't quite hold. It should - it's Coburn tracking Kristofferson. Builds to latter's death. But there's no real build. You can see why it was cut. Cutting didn't help. But there's a central problem with the film.

Wonderful scenes I stress - like Slim Pickens dying. Jack Elam dying. But we barely know them.  

Movie review - "The Breach" (1970) *** (warning: spoilers)

 Solid Claude Chabrol. Stephanie Audran is an ex stripper whose useless husband hits their kid so she whacks him with a frying pan. His rich parents seek to get the kid. The story is solid, plotting keeps you guessing. Most of the story is carried by Jean Pierre Cassell as the dodgy prat hired by rich dad to spy on Audran.

I thought more was going to happen with the nice doctor and nice lawyer who helped Audran. I loved the boarding house of odd types - the three old gossips who eventually help her, the actor who comes through, the landlady Annie Cordy, her boozy husband, their simple daughter.

Quite a full on plot where Cassell arranges for his nude model girlfriend Catherine Roubel - always topless and gagging for sex - to sexually assault the simple daughter while watching porn.

A little silly in places but fun. It helps it's based on class so the conflict is powerful and inherent.